Favorite Compilation Soundtracks
Posted: 2006-03-23 07:18pm
Which compilation soundtracks (different songs by different artists as opposed to a music score) of movies you really enjoyed and thought were good did you think augmented the movie's experience the best, and were perhaps even integral to the movie being enjoyable?
For example, even though "Private Parts" (the Howard Stern movie) had a great soundtrack covering all the best classic rock songs, I wouldn't list that because I didn't think "Private Parts" was that good. Same with "Romeo and Juliet."
My list:
Trainspotting - Danny Boyle
I think the Trainspotting soundtrack compilation is the best one ever for a movie in terms of how much the music added to the movie. It pretty much covers all the heavyweights of the early 90's british rock and techno scene, but also includes some well chosen songs by Lou Reed and Iggy Pop. The songs helped create the bleak, but slightly romanticed mood for the movie.
Snatch - Guy Ritchie
Who couldn't like this movie of slick bad-ass criminals all clashing with each other? The use of a pretty extreme blend of music for the movie added much flavor to it.
Forrest Gump - Robert Zemeckis
I'd kill myself before watching Forrest Gump again, but as I thoroughly enjoyed it the first time I watched it, I think that enjoyment was mainly due to the fact that they used great musical selections to convey the sense of the different time periods, from Elvis in '56 to Seger in'80.
Pulp Fiction - Quentin Tarentino
Guns, blood and surf music. What a wonderful combo!
Kids - Larry Clark
The movie Kids greatly benefited by the assortment of wonderful indie-rock songs put together by musician Lou Barlowe. The eerie, frightening, and introspective songs helped make Kids both disturbing and enticing at the same time.
Run Lola Run - Tom Tykwer
I don't think this movie would have been good without the frenetic, tense techno music going the whole time.
Big Lebowski - Joel Cohen
One of my favorite movies of all time for some reason, the compilation soundtrack had everything; Southern Rock, Classic Rock, opera, jazz, world music, techno that went excellently well with the colorful characters of the film.
High Fidelity - Stephen Frears
This story, written by that guy Nick Hornby, was about a modern music afficianado and his romantic trials, and the soundtrack for the film would make any nostalgic Generation Xer music geek elitist squirm in their seat.
Kill Bill 1 & 2 - Quentin Tarentino
No explanation needed, except I fucking hated that stupid Rza Rap song in the Kill Bill 1 soundtrack, the one where he's talking.
Rushmore - Wes Anderson
Some of the best bittersweet rock&roll tunes ever in a movie.
Royal Tennenbaums - Wes Anderson
An excellent blend of folk-pop, classic punk, and 2 powerfully bittersweet songs by Rolling Stones and Elliot Smith set the odd tone for this quirky comedy-drama.
Y Tu Mama Tambien - Alfonso CuarĂ³n
This was the highest-grossing Mexican when it came out, and had an excellent assortment of Latin American & Spanish alternative and electronica music.
Judgement Night - Stephen Hopkins
OK, I haven't seen this movie since middle school(and if I saw it now I'm sure I'd fall asleep), but back then I thought it was the coolest thing ever with Emelio Estevez, Cuba Gooding Jr., and an evil Dennis Leary trying to kill everyone. What made this movie seem so cool was the music; each song in the movie was a joint-production of a trendy early-90's hard-rock group and a hip-hop group, like Cypress Hill and Pearl Jam, Helmet & House of Pain, and Slayer & Ice-T.
Pillow Book - Peter Greenaway
This movie was fucking strange, and it's soundtrack is probably one of the most esoteric assortments of music in a movie. Bhuddists prayer songs, Afghan Wedding songs and Japanese rock music went brilliantly well with Greenaway's strange photographic technique in evoking the intended mood of this artsy-fartsy film.
For example, even though "Private Parts" (the Howard Stern movie) had a great soundtrack covering all the best classic rock songs, I wouldn't list that because I didn't think "Private Parts" was that good. Same with "Romeo and Juliet."
My list:
Trainspotting - Danny Boyle
I think the Trainspotting soundtrack compilation is the best one ever for a movie in terms of how much the music added to the movie. It pretty much covers all the heavyweights of the early 90's british rock and techno scene, but also includes some well chosen songs by Lou Reed and Iggy Pop. The songs helped create the bleak, but slightly romanticed mood for the movie.
Snatch - Guy Ritchie
Who couldn't like this movie of slick bad-ass criminals all clashing with each other? The use of a pretty extreme blend of music for the movie added much flavor to it.
Forrest Gump - Robert Zemeckis
I'd kill myself before watching Forrest Gump again, but as I thoroughly enjoyed it the first time I watched it, I think that enjoyment was mainly due to the fact that they used great musical selections to convey the sense of the different time periods, from Elvis in '56 to Seger in'80.
Pulp Fiction - Quentin Tarentino
Guns, blood and surf music. What a wonderful combo!
Kids - Larry Clark
The movie Kids greatly benefited by the assortment of wonderful indie-rock songs put together by musician Lou Barlowe. The eerie, frightening, and introspective songs helped make Kids both disturbing and enticing at the same time.
Run Lola Run - Tom Tykwer
I don't think this movie would have been good without the frenetic, tense techno music going the whole time.
Big Lebowski - Joel Cohen
One of my favorite movies of all time for some reason, the compilation soundtrack had everything; Southern Rock, Classic Rock, opera, jazz, world music, techno that went excellently well with the colorful characters of the film.
High Fidelity - Stephen Frears
This story, written by that guy Nick Hornby, was about a modern music afficianado and his romantic trials, and the soundtrack for the film would make any nostalgic Generation Xer music geek elitist squirm in their seat.
Kill Bill 1 & 2 - Quentin Tarentino
No explanation needed, except I fucking hated that stupid Rza Rap song in the Kill Bill 1 soundtrack, the one where he's talking.
Rushmore - Wes Anderson
Some of the best bittersweet rock&roll tunes ever in a movie.
Royal Tennenbaums - Wes Anderson
An excellent blend of folk-pop, classic punk, and 2 powerfully bittersweet songs by Rolling Stones and Elliot Smith set the odd tone for this quirky comedy-drama.
Y Tu Mama Tambien - Alfonso CuarĂ³n
This was the highest-grossing Mexican when it came out, and had an excellent assortment of Latin American & Spanish alternative and electronica music.
Judgement Night - Stephen Hopkins
OK, I haven't seen this movie since middle school(and if I saw it now I'm sure I'd fall asleep), but back then I thought it was the coolest thing ever with Emelio Estevez, Cuba Gooding Jr., and an evil Dennis Leary trying to kill everyone. What made this movie seem so cool was the music; each song in the movie was a joint-production of a trendy early-90's hard-rock group and a hip-hop group, like Cypress Hill and Pearl Jam, Helmet & House of Pain, and Slayer & Ice-T.
Pillow Book - Peter Greenaway
This movie was fucking strange, and it's soundtrack is probably one of the most esoteric assortments of music in a movie. Bhuddists prayer songs, Afghan Wedding songs and Japanese rock music went brilliantly well with Greenaway's strange photographic technique in evoking the intended mood of this artsy-fartsy film.