Broomstick wrote:If you take that giant stick out of your ass and go back and re-read what has been written I never said there is only ONE element of fair use analysis. YOUR error is in thinking all such elements must apply. That is not the case. You can get busted for any one of them, though obviously the more you violate the more likely you are to get penalized.
Oh, Broomstick, I love your SOP. When you get called on bullshitting, your method of getting out of that involves bullshitting some more, until your original bullshit is forgotten behind the torrent of fresh stuff.
Let's see what Congress has to say.
Congress wrote:In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include — [snip list of four factors which I analyzed]
In short, all four factors
must be applied in evaluating whether or not something is fair use.
It doesn't have to be a commercial distribution to violate copyright law. ANY unauthorized distribution of a copyrighted work is a violation regardless of whether that distribution involves money or barter. ANY. Rent a movie theater out of your own pocket, invite 2,000 people over to watch a movie, and even if you don't charge a dime you've just blown copyright (having some friends over in your own home is OK, renting a public venue is not). Why? Because – at least in the US – every goddamned video tape and DVD has a warning right at the beginning clearly stating that it is a violation.
I do not know where to begin correcting this:
1. Not every goddamned video tape and DVD has a warning at the beginning stating that it is a violation.
Night of the Living Dead, for example, was never protected by copyright for this reason.
2. Distribution is not usually the key factor in establishing copyright infringement, idiot. The key is usually the
act of making a copy. And, by the way, the distribution section
is limited to commercial transactions. Observe:
Congress wrote:§ 106. Exclusive rights in copyrighted works38
Subject to sections 107 through 122, the owner of copyright under this title has the exclusive rights to do and to authorize any of the following:
(1) to reproduce the copyrighted work in copies or phonorecords;
(2) to prepare derivative works based upon the copyrighted work;
(3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending;
(4) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works, to perform the copyrighted work publicly;
(5) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and pictorial, graphic, or sculptural works, including the individual images of a motion picture or other audiovisual work, to display the copyrighted work publicly; and
(6) in the case of sound recordings, to perform the copyrighted work publicly by means of a digital audio transmission.
Sale or other transfer of ownership, rental, lease, and lending are all commercial activities when the materials are being given to the public, so
commercial distribution is key. It's hard to see how non-commercial distribution is infringing, but making a copy of a copyrighted work without authority does infringe.
It appears you don't understand the difference between “keeping it to yourself” and “unpublished”. If you write a 100,000 pages of copyright violation and never show it to anyone and keep it in a box under your bed it's not a problem.
Bullshit. You have, then, violated 17 USC S106(a)(1) because you have "reproduce[d] the copyrighted work in copies or phonorecords." Again you illustrate your profound ignorance of IP law. Do I need to explain the two halves of the term "copyright" in order for you to grasp why copying of a copyrighted work can exceed the rights of someone who has physical possession of a copy of it?
That is, however, different than an unpublished work you pass around to your friends or make available to anyone who wants to read it. That's different than an unpublished work you try to sell to someone.
True. We should have some sort of celebration to encourage this form of behavior on your part.
Ummm... actually, it is. Here's the text of the actual law: courts are to consider the "(4) the effect of the use upon the potential market for or value of the copyrighted work."
No, it's not – penalties for violation are affected by that, but the creator of work has copyright regardless of whether the work has been sold or not, or is intended to be sold.
I'm not having this discussion with you, any further. I have pointed you specifically to the section on Fair Use and demonstrated that it requires an analysis of the effect on the potential market for or value of the copyrighted work (fourth factor).
Your claim that the "creator of work has copyright regardless of whether the work has been sold or not, or is intended to be sold or not" is true but totally besides the point. Determining whether a use of copyrighted material falls within the safe harbor provided by 17 USC 107
requires an analysis of the use's affect on the value of that work (along with the other three factors that I've been hammering you over the head with and which you last insisted were irrelevant if even one factor weighed against fair use). And, yes, this is the
commercial value only--the "potential market for or value of the copyrighted work."
Your unwillingness to acknowledge this point, even when confronted with statutory language that is directly on-point, avails you nothing. Anyone reading this thread can easily look up the relevant section and determine for themselves that my statement of the law is fully accurate, contrary to your shrill, dishonest, and dishonorable insistence otherwise.
Let's try that again - “somebody writes a fanfic that is somehow vaguely similar to a subsequent novel (for example) and then the fanfic writer sues the orginal author of the fictional universe for “stealing” the fanfic author's idea”. Yes, it has happened. This is why a lot of authors and writers do not go to forums with fans discussing their work and do not go to fanfic sites. That is why some publishers will not look at unsolicited work.
So what? You're trying to argue why Fanfic shouldn't fall within Fair Use, remember? Where does any of this come into the four factors analysis?
Current US copyright law is that copyright exists from the moment of creation. If a fanfic is an original work then yes, it too is copyrighted. No one other than the holder of that copyright has any right to copy or distribute that fanfic without permission (other than the usual fair use) including the originator of the fictional universe in which it is set. Why wouldn't fanfiction have a copyright? The fact that fanfic authors choose to allow others to freely read/share/distribute their works doesn't change that.
You're trying to argue why Fanfic doesn't fall within the Fair Use exception, remember? Where does any of this come into the four factors analysis to show that Fanfic shouldn't fall within 107?
I'm not reading the law,
Yes. You've made that abundantly clear.
I'm talking about how the courts have decided cases in the past,
Which courts? Cite a single god-damned case that wasn't reversed at a higher level in which fanfic (by which I mean a work written by a fan that wasn't commercially distributed) was found to have infringed upon a copyright in spite of an assertion that the fanfic fell within the Fair Use exception.
what lawyers specializing in copyright and trademark have told authors and artists for years, including the ones I've talked to about my own published works.
Yawn. Appeal to authority fallacy. Even if this were true (and given your other glaring misunderstandings of copyright law, I rather doubt that you can be trusted to properly understand an attorney describing the issue to you), the attorney in question would doubtless have inaccurately described the law if he didn't recognize that the four factors of the fair use test must be applied to all cases in which Fair Use is raised as a defense. Note that this would be an
inconceivable gaffe by a specialist in copyright law (or, frankly, for any attorney). If it is your position that you actually heard this from a practicing attorney, then I would suggest that you describe this incident to the state bar, because such an attorney has obviously violated his duty of competence towards you.
Second, the fact some fanfiction has been published shows there is, in fact, a commercial side to all this at least potentially.
Yeah, and
when it's published you can reevaluate whether or not it constitutes fair use.
Third, no, it doesn't automatically mean the market for the original work is impacted... but there have been arguments for years that it can and in some cases does.
Okay, so there are frivolous arguments otherwise. What do you think, Broomstick, since we're trying to work through this analysis from an objective perspective? Do you honestly believe that fanfic.net materially impacts the commercial value of the
Dragon Age or
Star Wars franchises? If not, then it's a total red herring because you've acknowledged that the stronger finding is that there's no impact.
Uh... why? It only takes blowing one factor to make a copyright infringement.
Bullshit. These are
factors, not elements. Remember?
Sure, clearing three out of four makes it less likely you'll get penalized, but even one is sufficent for a cease-and-desist order, being forced to take down a file from your website (and others), and so forth. That's not “winning”.
Clearing three of four factors makes it unlikely that you'll get penalized because it provides a valid defense to a claim of copyright infringement.
It's not just about “fair use”, it's about unauthorized use. Fanfic enthusiasts like to shout “FAIR USE!” but the courts are not so quick to apply that.
What is this "unauthorized use" doctrine that you've made up out of whole cloth?
In the entire Copyright Code, "unauthorized use" appears only once:
(e) Nothing in this section shall be construed to permit, beyond the limits of fair use as provided by section 107, the unauthorized dramatization of a nondramatic musical work, the production of a transmission program drawn to any substantial extent from a published compilation of pictorial, graphic, or sculptural works, or the unauthorized use of any portion of an audiovisual work.
So, yeah, if fanfic is fair use (which it pretty clearly is), then that ends our analysis. It's irrelevant that the use was "unauthorized," because it was fair. That's the whole god damned point of 107.
As for your claim that courts are not so quick to apply Fair Use--you're quite correct. A court, first, goes through the
FOUR FACTORS of Fair Use analysis when this defense is raised, and then draws a conclusion from its findings on these.
Then they apply Fair Use.
Emphasis added – that is precisely why it applies to fanfic. If characters are protected under copyright independent of other aspects of the media in which they appear then it also applies to fanfic.
And... how does this affect our Fair Use analysis, which is the point of this entire diatribe on your part?
How is that a concession of anything? Unless you're agreeing I'm right and you're not?
I'm pointing out that, earlier, you claimed that "all the courts can do is determine if someone used something copyrighted without permission, and if so, then penalties come into play." That totally ignores the Fair Use defense of 107 (which the court must examine after having concluded that the defendant's conduct appears to infringe upon a copyright), or do you disagree with the
existence of a Fair Use defense under 107?
Moreover, writers are
not within their legal rights to set limits on fair use of their materials, and they do not make that determination--Congress and the courts do.
Like I said: Concession accepted.
Yes, well, different people read the law differently. That's why we have courts and the lawyers are well fed. Until a law is actually tested in court no one knows what the actual effect will be.
How can a bill which doesn't even
mention 107 affect the application of 107, Broomstick? Serious question. Read the fucking bill. Nothing in it affects application or interpretation of 107. How did you conclude that it does?
The entire Copyright Title of US law does not need to be reinterpreted each time a bill is passed that increases the criminal penalties associated with violating it--the increase in penalties only changes that paragraph which is expressly modified by the bill.
Yes, yes, I know the fanfic crowd believe that.... but ask an actual lawyer dealing with copyright and you'll get a different answer. I know this, because I have asked such a lawyer.
More appeals to authority. They won't avail you of much, here, Broomstick.
An author saying “I permit fanfiction” is actually the only shield fanfic writers should rely on. Now, if they want to take the risk without such an assurance that's their call, but if they get hauled into court I don't want to hear any fucking whining as they blaze a trail for those that follow (or maybe not... depending on what the court decides).
This would obviously cut both ways, but the fanfic writer has a very strong defense in reliance of S107.
No, actually I am experienced. The state can prosecute armed assault regardless of whether the victim wants a court case or not. It will not pursue a copyright violation unless the victim brings it to court.
Actually, they do just that with the DMCA.
Here's an example. No DirecTV involved in that case.
Plea bargaining in armed assault is between the state and the accused (at least in the US), NOT the victim and the accused. Prosecution can and will proceed regardless of whether the victim wants to try the case. Copyright law violation cases are between the victim and the accused. Unless the victim wants to try the case it will not proceed. Copyright settlements are not “plea bargains”, not in the sense you use the term.
Here's the difference – in the case of armed assault, it's the state that sets the rules/laws. In the case of copyright, it's the author who allows or doesn't allow the use.
Here's the difference between rape and copyright violations: in the case of rape, it's the victim that sets the rules by consenting or... oh, no, wait, turns out these are exactly the same. The fact that the consent of a rightholder is a total defense to acts that would otherwise be criminal
is not evidence that the state cannot prosecute for the criminal act in absence of the victim's prior suit. Nothing in the Copyright Title bars the US government from criminally prosecuting someone without the rightholder first suing them.
As for your bullshit about the state not prosecuting unless the copyright holder first sues, why are the statutes of limitations different between civil and criminal cases, if you are correct?
Congress wrote:§ 507. Limitations on actions7
(a) Criminal Proceedings. — Except as expressly provided otherwise in this title, no criminal proceeding shall be maintained under the provisions of this title unless it is commenced within 5 years after the cause of action arose.
(b) Civil Actions. — No civil action shall be maintained under the provisions of this title unless it is commenced within three years after the claim accrued.
Is it your position that in no circumstances can a criminal proceeding be brought against a copyright infringer if the underlying infringement commenced between 3 and 5 years ago?
Confirming that you don't have to write Congress hardly constitutes a “concession” of any sort, especially when the sentence is so very taken out of context. You're really reaching, aren't you?
The sad thing is that I'm not: you said that someone shouldn't write Congress (very insultingly, even though he was evidently right as per your later, half-assed backpedaling), and then in your very next post here you admitted that it might be productive for people with his beliefs. Your inability to form a self-consistent argument, and your constant inability to read the relevant bills and statutes, is just bogging down the thread at this point.
Your elegant “four factor analysis” has no bearing in reality when it comes to actual working of the law. YOU are the one using a single factor, screaming “fair use” over and over.
Fair Use is a
defense, moron. It's not "a single factor." If you find that the use in question is Fair Use then it
cannot possibly give rise to a cause of action for infringing upon a copyright, even if the copyright holder doesn't like it. And as for your claims that the four factor analysis has no bearing in reality when it comes to actual working of the law, where's your evidence for that? Do you think that federal judges regularly ignore the statutes that they are asked to apply? If so, I suggest that you fill out an application for a federal judge position, Broomstick. Your credentials are absolutely impeccable.
Broomstick wrote:Master of Ossus wrote:BULLSHIT.
Shouting does not make you less wrong.
So what part of the bill clarifies the "grey area" that you spoke of, then, Broomstick?
Your conduct is so absolutely reprehensible--so utterly lacking in any shred of dignity, morality, and honesty, and falls so far below the standards of this board that I'm going to quote the entire thing in context, again (reconstructing for where you snipped the quotes):
Broomstick wrote:Master of Ossus wrote:Broomstick wrote:S. 978 is an attempt to clarify a grey area,
BULLSHIT.
Where does
this text clarify a grey area? What grey area are you even talking about? The only thing that it's doing is replacing one set of criminal penalties with another--there's no grey area involved either way.
Shouting does not make you less wrong.
If I was wrong to call bullshit,
why can't you actually defend your original statement? WHERE'S THE GREY AREA in the original law, and how does 978 address it?
For those who haven't bothered to follow this, here's the timeline:
1. Broomstick makes a bullshit statement.
2. I point out that it's bullshit and cite the text of the bill as evidence why.
3. Broomstick says that my declaration that her statement was bullshit doesn't make it so,
as if my statement that it was bullshit stood alone, and wasn't immediately followed up with an explanation for why her assertion was bullshit and a challenge that she defend her claim. She conveniently omitted this entirely from her response, of course, focusing instead exclusively upon the initial identification of her outright lie for what it was.
Funny – that's not what my lawyer said. Actually, lawyers, I've consulted several over the years since the 1980's. When was the last time you talked to an actual copyright lawyer?
It's been a few months--I need to call and see how he's doing.
But your incessant appeals to authority (incidentally, I
very much doubt that you've ever been in contact with any copyright attorney at all, and certainly you haven't understood their explanation if you were in contact with such people) grow tiresome, Broomstick. Did you or did you not consult your "copyright attorney" on Bill 978? Did your unnamed copyright attorney state that this bill clarifies a grey area or did he not? If not, then why mention it when we're talking about your statement that 978 attempts to clarify a grey area?
Please cite the court case(s) where that was firmly established... because until it's tested in court nobody really knows. Yes, YOUR side of this argument is absolutely convinced they're right... but the other side feels equally certain.
Suntrust Bank v. Houghton Mifflin Co. is an even more extreme case in which the Federal court system established that transformative works using the same characters, universe, and locations of an earlier copyrighted work constitutes Fair Use. It is a more extreme case than any fanfic case because the work in question was a commercial work which was actually published and sold, even though the original work fit squarely within the copyright regime, because the impact on the market and value for the original work was deemed to be minimal and because the portions of that work which were appropriated were found to be relatively small.
And, incidentally, can you cite a
single scholarly article in which the author seriously argues that Fanfiction falls outside of Fair Use? Because if not, then there is no "other side" which feels equally certain in the other direction.
Broomstick, master ... well, no, not really master of the obvious at all wrote:Congratulations. You have identified another defense to a claim of copyright infringement--if the copyright holder grants permission to you to use their copyrighted material, you are permitted to do so.
If the CH grants permission it is not an infringement!. That point keeps sailing over your head.
What the flying fuck? When have I ever claimed otherwise?
Cite my post in which I said that reproducing a work with the copyright infringer's permission infringed upon that copyright.
In fact, the sentence that you quoted (apparently as an example of me failing to grasp this point) directly says the same thing that you asserted as some sort of epiphanical moment. There are at least two complete defenses to copyright infringement: one (copyright holder's permission) which you keep crowing that I don't recognize (even though I do), and two (Fair Use)--something which you have failed to adequately acknowledge, failed to accurately restate, and failed to properly apply. Do I need to go over counting to two, again, or can you remember that far back in your education? It should be nice and easy for you, since you very obviously never got past second grade (and second corresponds with "two").
This is also something that confuses a lot of basement-dwelling fanfic authors. Some authors have explicitly granted permission, therefore, in those particular cases there is no copyright violation because permission has been granted. Other author have NOT granted permission or have explicitly stated they FORBID such use, and THOSE are the instances where fanfic writers are treading on thin ice. Just because author A is OK with fanfic does not mean author B is, and one of these days the fanfic people are going to find themselves in court over it.
... And when they do, they will argue that theirs constitutes Fair Use. Which it obviously does (unless you actually want to go through the four factors to show why they do not lead to this conclusion).