I saw it yesterday, and really didn't care for it. The visuals are impressive, of course, although nothing about them really strikes me as the kind of thing you'd watch again just to see it. Some of the acting is good, like Fassbender's David. The whole scene in the Auto-Surgery Machine was horrifyingly creepy.
But the rest wasn't that good. The pacing was off - we rush straight from finding the cave painting to Rapace & Friends about to reach the planet on a starship, years later. After that, it just felt slow and dull, mostly because I never felt emotionally involved with any of the characters. Scenes that should have been horrifying and sad mostly weren't because of that factor. Just look at the scenes between Rapace's character and her husband/boyfriend/co-scientist - very little chemistry at all, so it felt like he was just showing up long enough to get Rapace pregnant with the Vagina Tentacle Monster. Nor did Rapace's flashbacks really drive home how important the search for "God" was to her, and why it was such a huge betrayal when they turned out to be hostile.
To make matters worse, the plot started relying more and more on Movie Stupidity to keep it going. Things like the scientists being a bunch of idiots who haven't heard of contamination, the aforementioned zombie guy showing up, getting killed, and then nobody cares later. Then there's David's plot to infect Rapace's boyfriend, and then later put her in hibernation to take the specimen back home. It seemed kind of like
Alien, except that after Rapace gets it out, nobody gives a shit anymore. It just ended up being a plot device so that the Vagina Tentacle Monster would be in that room to face-fuck the Engineer when he's trying to kill Rapace.
Bug-Eyed Earl wrote:blahhhhhh... Sounds like this movie espouses a lot of ideas this board hates, and it seems to be proselytizing those ideas rather than simply using them as a jumping off point for an interesting story. To this day I remember comments from Darth Wong and Stravo from the early days of this board because they were so dead on- that they can forgive the silliness of the Death Star's thermal vent as a weak point because it didn't preach about the hubris of arrogant scientists or too far reaching technology, and that was why the weak security systems in Jurassic Park were much harder to overlook, thanks to Jeff Goldblum's ranting about how it proved Chaos Theory. That and Michael Chrichton's certainty that any advancement in science was to be feared.
I gave the movie a pass on the stupid "Chariot of the Gods" set up, mostly because a movie can still be entertaining and good even if the premise isn't too great.
That said, it is kind of annoying. Rapace does get challenged on it - when she brings it up in a mission briefing, one of the Redshirt Scientists says, "Doesn't that fly in the face of 300 years of Darwinism?" Rapace's Character: "I choose to believe."
I wonder if it will get much more annoying in the sequels, though. Someone asked the chief writer on the show - Damon Lindelshof, a writer from
Lost - about why the Engineers were hostile, and he said something like, "The Engineers wanted to kill humanity 2000 years ago. What happened 2000 years ago that made them want to kill us?"