Can any music buffs answer this?
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Can any music buffs answer this?
I'm writing a screenplay that spoofs current music trends, and I was wondering if anyone knew the formula for making a boy band.
Basically, this is how the producers pick each member; they have to have a "cute one", a "bad boy," etc. As much as it sounds like a joke, there is an honest to god extremely precise way of doing it that producers knowingly adhere to.
Does anyone know what it is?
The script will also have zombies, a World War II scene, demons, and samurai swords that can change into guitars.
Basically, this is how the producers pick each member; they have to have a "cute one", a "bad boy," etc. As much as it sounds like a joke, there is an honest to god extremely precise way of doing it that producers knowingly adhere to.
Does anyone know what it is?
The script will also have zombies, a World War II scene, demons, and samurai swords that can change into guitars.
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I think the formula is "cute playful one", "bad boy/pirate", "clean cut, fashionable one". "the boy next door", and "cool player one". Also, one of them will be the "token minority one".
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do they even have different personalities? They all seem the same to me. Maybe that could be an aspect to satire--the fact that they're all essentially clones taken from the same mold.
As far as i can tell, the variation in boy band depends on its genre. Here's something to consider developing:
The punk-pop boyband: alternates between "yeah, im a rebel look at how rebellious i am" and "somebody feel sorry for me, nobody understand me and i want to commit suicide" and "im so in love and love hurts".
The dance-pop boyband: fairly easy targets, stuff like N Sync and Backstreet boys. I think everyone has an understanding of these types.
The hiphop-pop boyband: Not reall a band, but guys like Seanpaul and Nelly with their "girl your da bomb" love songs...i dont know, i dont listen to that type so i cant really give examples but i think you know where im going.
Also consider the middle-aged southern rock boyband that all emulate Bon Jovi (who i believe was emulating Bruce Springsteen). The whole glamrock boyband you might want to touch upon as well.
As far as i can tell, the variation in boy band depends on its genre. Here's something to consider developing:
The punk-pop boyband: alternates between "yeah, im a rebel look at how rebellious i am" and "somebody feel sorry for me, nobody understand me and i want to commit suicide" and "im so in love and love hurts".
The dance-pop boyband: fairly easy targets, stuff like N Sync and Backstreet boys. I think everyone has an understanding of these types.
The hiphop-pop boyband: Not reall a band, but guys like Seanpaul and Nelly with their "girl your da bomb" love songs...i dont know, i dont listen to that type so i cant really give examples but i think you know where im going.
Also consider the middle-aged southern rock boyband that all emulate Bon Jovi (who i believe was emulating Bruce Springsteen). The whole glamrock boyband you might want to touch upon as well.
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In my script, an evil music producer creates them in his lab. He grows dozens of "blank slates" (shambling, zombie-like creatures which all have minimal physical features). He upgrades a few of them to make his pop stars.zombie84 wrote:do they even have different personalities? They all seem the same to me. Maybe that could be an aspect to satire--the fact that they're all essentially clones taken from the same mold.
So yeah, the satire is that in my script they literally ARE clones.
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There's also a gay one that will come out to increase sal- publicity.
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Clones, huh?? Hehe - this almost begs for a "Send In The Clones" musical number sung to the tune of "Send In The Clowns".Bug-Eyed Earl wrote:In my script, an evil music producer creates them in his lab. He grows dozens of "blank slates" (shambling, zombie-like creatures which all have minimal physical features). He upgrades a few of them to make his pop stars.zombie84 wrote:do they even have different personalities? They all seem the same to me. Maybe that could be an aspect to satire--the fact that they're all essentially clones taken from the same mold.
So yeah, the satire is that in my script they literally ARE clones.
Basically, this trend started with the Monkees. Heck, it's probably older than the Monkees.Asst. Asst. Lt. Cmdr. Smi wrote:There's usually five of them, and usually, none of them write the music, play the instruments, or make up the dance steps. And, it should appeal mainly to teenage girls.
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That doesn't change the fact that The Monkees pioneered the prefabrication of pop music.zombie84 wrote:The Monkees were a rip off of the Beatles, the way that N Sync is a rip of the Backstreet Boys.
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Weren't they nicknamed the "Pre-Fab Four" at one point as a joke?Simon H.Johansen wrote:That doesn't change the fact that The Monkees pioneered the prefabrication of pop music.zombie84 wrote:The Monkees were a rip off of the Beatles, the way that N Sync is a rip of the Backstreet Boys.
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Well, the fact that NBC pretty much slapped them together in response to the Beatles should say something...
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Comes at no surprise to me at all.Asst. Asst. Lt. Cmdr. Smi wrote:Weren't they nicknamed the "Pre-Fab Four" at one point as a joke?Simon H.Johansen wrote:The Monkees pioneered the prefabrication of pop music.
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Well davey jones and co. could probably write the book as The Monkeys were one of the most obvious boy bands.... (although before that we did have some "girlbands" who just sang and had others writing lyrics & performing music for them.
note just because you are a boy/girl band doesn't mean all is lost. Look at what became of the fake punk girl band "The Runaways" Drummer went with the Bangels, & Joan Jett, Pat Benatar, & Patti Smyth can still rock in Solo, not to mention Smyth had that whole marriage for rent control, & inurance purposes, but still love him in a platonic way, going with Robert Maplethorpe.
note just because you are a boy/girl band doesn't mean all is lost. Look at what became of the fake punk girl band "The Runaways" Drummer went with the Bangels, & Joan Jett, Pat Benatar, & Patti Smyth can still rock in Solo, not to mention Smyth had that whole marriage for rent control, & inurance purposes, but still love him in a platonic way, going with Robert Maplethorpe.
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