Stuart wrote:I didn't want to foreshadow what was going to happen because that way, the reader feels the sheer shock that Michael felt when a character he had presumed to be dead suddenly appeared. There were a couple of hints that Elhmas was alive; the vagueness of the accounts of his death (which should have tipped Michael off, that was his big mistake) and the near-response to Yahweh's attempt to draw on Elhmas during the battle. That was all that Michael had to go on and so that was all I gave the reader. Other than that, I wanted Elhmas's appearance to be a shock. The model is in the end of some films (for example Rush Hour 3 and a lot of westerns) where the Big Bad has apparently won and is about to whack the hero when there's a shot and the Big bad is brought down by an apparently minor character.
Well, what I think would be good would be to not foreshadow "Elhmas didn't die," but to establish Ehlmas as less of a complete idiot. I haven't seen the film, but I imagine that the scene in
Qien Sabe worked because the Mexican revolutionary was built up over the film- he's not a bit player. Thus, the viewer has time to build up a sense of who the Mexican man is. The surprise ending thus has overtones of "Wow, when did
he grow a pair? He's smarter than we thought."
But just in terms of screen time, Ehlmas is a bit player in the action of
Pantheocide. So your "lesser character comes out of left field and overwhelms someone we normally think of as greater" isn't adequately set up; it's less of a "Wow, when did
he grow a pair?" moment and more of a
deus ex machina. I'd suggest one or two more scenes where Ehlmas appears and we get Michael's view of him as a mediocre stoner- just to give him some time on screen so he's not a mystery. Then the one you already have that shows Ehlmas as being considerably more competent and intelligent than Michael gives him credit for.
Then everything up to and after the nuke proceeds just as planned- subtle hints that Ehlmas might still be alive, but nothing credible, and nothing that would tip Michael off.
Also, I did much the same thing with Armageddon. Michael appears there in a few places, coming over as just another member of Yahweh's court, as deluded and seduced as the rest. Only in his last appearance do we see the situation through his eyes and realize that he is actually plotting against Yahweh and holds Yahweh in utter contempt. That's the first indication as to how devious he is.
Yes. I suppose if you're planning to set up Ehlmas as a primary character in
Lords of War, the parallel structure might work to your advantage. I don't know.