NOTE: I'll try to stop the epistolaries here since I'm now getting away from politics and more into people moving around. And fortunately I *do* know the Victorian age in general, but I'm not too keen on portraying historical figures without study.
Thursday 1. May 1851,
Hounslow Aerodrome
Outside London,
England
Dear Brother,
Just a brief note now, as I have very little time. The airship is waiting to leave and for the next few days I shall be entirely busy.
I am glad that you are refurbishing the old family mansion, it was much too run down. I only have one small remark, that the glass-house in the garden should be restored in the old style. I have such fond memories of that from my childhood, so I would hate to see it changed. Beyond that I have nothing to say, I know that your aesthetic sense is far more developed than my own.
To be honest I would love to be home in Emerhag, this London can be quite ghastly. Though it is a rather large city, even by our standards, it is also smelly and dirty in so many ways. There are times when I need a stiff drink after going on a carriage ride through the town. Oh the things I've seen. I'm not sure if I've understood everything the locals tell me, because there are times when it seems so horrid that I could scarcely believe it possible. At least for what appears to be a semi-civilized area.
Therefore, you should come either towards the local autumn, or else in spring next year. But do not bring your wife or children. Nor anyone who has a sensitive disposition. I do look forward to seeing you again, communicating by way of letters is so cumbersome, and there is so much that needs to be done.
Of course my work here is hardly started yet. There are so many laws, countries, nobles, products, etc. Even after three months I am barely scratching the surface here. But I am now far more able to understand the language, at least through my interpreters.
The local event I mentioned, the 'Great Exhibition of the Works of Industry of all Nations', opens today. I will take copious notes of everything that shows up there, examining it carefully, and watching the reactions of the natives. From what I can see so far though it is a rather poor showing, they have many pretty toys and handicrafts, but they cannot really match us for quantity or quality. Even so I shall start sending back samples of the best this world has to offer once this Exhibition is underway. I'm sure much of it will find favour at home.
The exhibition area, the 'Crystal Palace' is looking very handsome though. You might think that it would be simply an overgrown greenhouse, as I hinted in earlier letters, but now that I see the finished product I must confess that I was wrong! Yes dear brother it happens, surprisingly the natives have impressed even me. It is a particularly appealing sight during the night, when lit up by the searchlights and incandescent light-bulbs that I provided for the project. The natives were suitably grateful for that gift, as well as for the air-conditioning sets. The way I see it it's a small investment in the future. Also the air-conditioning helps to remove the foul odours from the air.
I will go so far as to say that when tourists begin arriving here in number they will want to see it as well. I'll be sure to show it to you when you come to visit, along with the various castles and palaces the natives have. Many of them are quite appealing, with a strange savage aesthetic to them.
But returning to the exhibition I will be showing our air-conditioning, electrical generators, incandescent lights, slide-shows, moving pictures, gramophones, propane tanks, and of course aluminium and magnesium. These should astound the masses without completing stealing their thunder, after all, as I said, I do want to see what they can actual produce, and overawing them might make people withdraw out of sheer embarrassment. However even this should give us a good idea of what the locals would pay most money for, without risking us running into any export restrictions.
Give my regards to everyone back home.
Your Elder Brother, Ihor Ikeram
Ihor Ikeram put his silver fountain pen down on the table. Then he placed his palms on the table top and ran them across the surface, feeling the smooth, polished wood. Leaning back in his well-upholstered chair he gripped the ornate arm-rests. Ah, it was not until you'd spent years on airships, constantly looking for an opening, that you really came to appreciate the luxuries of being on the ground. Of having time to make proper edits and final editions of your letters, instead of having to rush out the first edition with strike-throughs and words squeezed in between the lines.
Rising from his chair he walked to the large, cast glass window that overlooked the aerodrome. From this second story window he had an excellent view of the two large hangars, the warehouses, and if he twisted his head a little he could see the quaint little village of Feltham. All surrounded by lovely green field, quite bucolic really. Also what he couldn't see was more to his liking, this being a south facing window he didn't have to look at the cavalry barracks to the north.
His eyes narrowed a little as he thought of that,
'Impudent, but I suppose it makes sense.'
His secretary's voice came from outside, "Patron, may this one enter?"
"Yes," Ikeram said, not turning around as the door opened.
"Patron, your train leaves in half an hour," his secretary said. A charming young man in a somewhat plain dark blue robe, with only a single pouch and a small case of writing utensils hanging from his belt.
Ikeram nodded and went to his desk to close and seal the letter, "Send this with the airmail. Then, ah, let us be on our way." He sighed, "Must we really go so early?"
"The trains are greatly delayed Patron," his secretary said, taking the letter.
"Ah yes," Ikeram said and strode towards the door. Part of him felt like a child for wanting to stay longer, but, well, London
reeked, the less he had to do there the better.
**** **** **** ****
Great Exhibition at Hyde Park
London,
England
For Sir John Hode this was one of the most awesome and wonderful days in his life, in the true sense of the words; for the crystal palace, gleaming with electric lights, standing there like the Great Shalimar, was truly something of awe and wonder. Though he was an educated man and had gained a seat on the Royal Commission for the Exhibition of 1851 he was still excited. The whole scheme was so enormous that one man, even one who had helped make it happen, couldn't hope to keep track of it all.
All around him were dense crowds of middle and upper class ladies and gentlemen, all splendidly dressed. For a moment he felt like he was in the centre of some great nesting ground for tropical birds, who through their natural instincts had homed in on this precise spot. Indeed that feeling only grew stronger as the first 25 000 people were finally allowed into the Crystal Palace itself.
As a member of the Royal Commission Sir John had secured a good spot near where Queen Victoria and Prince Albert would be opening the Exhibition. That was still some time off, so in the meantime he looked around the place.
Large cast-iron girders and supporting elements held up the glass, creating this enormous green house with multiple levels, countless galleries and walkways, and yet brightly lit by the daytime sun. In among the displays stood large trees and water fountains, which sent cascades of fresh, clean water up into the air.
Most of all he noticed the exhibitions. Even though the exhibition itself was not officially open he did see some rude people sneaking a peek at some of them. If they were spotted some constable was sure to politely tell them the exhibition was not yet open, and of course the fear of social disapproval kept most people in check. Still, standing here, in bright light of day, yet inside and enclosed, among so many people. Feeling the nervous, excited air. It was like being a child at Christmas and having to wait to open your presents.
At noon the Queen and Prince Albert arrived, part of Sir John wished that he had been able to be outside to watch the procession. Though of course he saw part of it from his vantage point inside the Crystal Palace. All such thoughts vanished as the Royal Family entered, to the respectful applause of the assembled people.
The Queen wearing a lovely pink dress and diadem, with the blue sash of the Order of the Garter. Surrounded by her ladies in waiting and her family, all dressed splendidly, of the family Crown Prince Edward looked particularly delightful in his doublet and kilt; just like a proper highland prince! And of course Prince Albert looked perfectly in place with the other officers and lords, dressed in a splendid red uniform with gilded braids.
Surrounding the carpeted platform of the Royal Family, there stood various dignitaries and ambassadors. And there stood the Archbishop of Canterbury, all in splendid white, with a large chorus gathering behind him. There was so much colour, and of gold, of red, of sashes and jewellery, though of course few nations had ambassadors with uniforms as splendid as the British military.
Yet one man stood out, Sir John would recognise Ihor Ikeram, the grey complexioned gentleman looked just splendid. He'd removed his fur cap, but stood there dressed in cloth of gold, or what at least looked as green cloth of gold. A thick orange sash, or belt, wrapped around his waist, and from it hung two large embroidered purses, that miniature chest Sir John and seen earlier, and a bundle with three large golden keys.
Truly the whole world, no, not just the whole world, but both this world and other, previously unimagined worlds had come to marvel at the Great Exhibition!
At last Prince Albert stepped forward and began his speech, though at times Sir John had trouble hearing it.
I conceive it to be the duty of every educated person closely to watch and study the time in which he lives, and as far as in him lies, to add his mite of individual exertion to further the accomplishment of what he believes Providence to have ordained.
Nobody, however, who has paid any attention to the peculiar features of our present era, will doubt for a moment that we are living at a period of most wonderful transition.
...
New worlds, previously unknown are opening up to us, and with them come the promise of increased commerce and the sharing of knowledge. For it is a certain mark of civilized and cultured nations that knowledge acquired becomes at once the property of the community at large; for, whilst formerly discovery was wrapt in secrecy, the publicity of the present day causes that no sooner is a discovery or invention made than it is already improved upon and surpassed by competing efforts. The products of all creation are placed at our disposal, and we have only to choose which is the best and the cheapest for our purposes, and the powers of production are entrusted to the stimulus of competition and capital.
...
The distances which separated the different nations and parts of the globe are rapidly vanishing before the achievements of modern invention, and we can traverse them with incredible ease; vast inland areas previously unreachable due to their rugged terrain and savagery can now be reached by air, fulfilling mankind's ancient dream of flying as free as the birds.
...
Science discovers these laws of power, motion, and transformation; industry applies them to raw matter, which the earth yields us in abundance, but which becomes valuable only by knowledge. Art teaches us the immutable laws of beauty and symmetry, and gives to our productions forms in accordance with them. My Ladies, Lords, and Gentlemen, -- the Exhibition of 1851 means to give us a true test and a living picture of the point of development at which the whole of mankind has arrived in this great task, and a new starting point from which all nations will be able to direct their further exertions.
I confidently hope that the first impression which the view of this vast collection will produce upon the spectator will be that of deep thankfulness to the Almighty for the blessings which He has bestowed upon us already here below; and the second, the conviction that they can only be realised in proportion to the help which we are prepared to render each other; therefore, only by peace, love, and ready assistance, not only between individuals, but between the nations of the earth.
And with the conclusion of the speech the Archbishop uttered the Lord's Prayer before calling upon the chorus to begin singing Handel's Hallelujah Choir. The vast 600 man chorus filled the whole of the Crystal Palace with the rousing sound of the Hallelujah Choir. It brought a tear to Sir John's eyes, for what could better describe the brotherhood of man than to remember that
'There is neither Jew nor Greek, there is neither bond nor free, there is neither male nor female: for ye are all one in Christ Jesus.'
**** **** **** ****
Ihor Ikeram managed to keep his face straight as all of a sudden 600 tribal chanters began to shriek 'Hallelujah, hallelujah' over and over. There was a melody in there though, but it was weird, off-key, not quite hitting on the notes that he expected. Still, as a well travelled and cosmopolitan man he knew that it was the height of rudeness to mock the rituals and behaviours of the local city god. After all he was fully aware that many of the rituals at Emerhag had to seem just as absurd to an outsider.
Once the song was over though the Chieftainess declared that the exhibition was open, and everyone began to move into the Crystal Palace itself. Indeed Ihor Ikeram was just about to do so when he recognised one of the humans he had met with a few times, a Sir John. Not wanting to be rude he returned Sir John's greeting, then motioned for his interpreter to follow him.
"Sir John?" Ihor Ikeram said.
Sir John said something, then interpreter struggled for a few moments, then Sir John repeated himself slower and more loudly.
"Yes. I am delighted to see you here Andalma Ikeram," Sir John said.
"I wouldn't miss it for the world," Ikeram said, smiling softly. "All the wonders of your world are stretched out here, before me."
"I hope that some of it meets with your approval."
"Of course, it is so hard to master a new language and to learn the words of every little item and plant and machine," Ikeram said. "But here, I merely need to point at some item, and some helpful soul explains in great detail what it is and what it is called."
"Well then, let me be your helpful soul and escort you."
"I would be most grateful."
They were soon moving through the exhibits, many of which were of a strange and wonderful sort. For instance Ihor Ikeram stopped for the longest time at the stuffed elephant presented by the Newab Nazim. Despite himself he felt quite curious about this vast creature with such a small house on its back.
"Is it really real?" Ikeram asked as he approached it, looking up into its glassy eyes.
"Why yes, it's a stuffed elephant," Sir John said, motioning with his cane. "It has a howdah on its back, where armed men can sit and shoot at enemies or wild animals."
"I like it," Ikeram said. "Where can I get one?"
"India," Sir John said. "The jewel in the crown for the British Empire."
"India..." Ikeram said, once more studying the rich elephant blanket. "Their style of decoration is very different from that I see in this country."
"Indeed, we think of India as very exotic, though we've ruled it for nearly a century," Sir John explained. "And the people there are Hindoos, not Christians."
They walked a bit longer until they came into part of the French exhibition, which was marked by the loveliest statues, paintings, and examples of industrial art. Everything was here, from machines with ornate decoration, cast silver vessels, white marble statues, tapestries and enamelware. But it also included a few items that were covered by heavy carpets and drapes.
"Are they to be unveiled at a later occasion?" Ikeram asked pointing at them.
Sir John looked a little awkward Ikeram thought, but answered smartly enough, "No, those are exhibits viewed inappropriate for general display."
"Inappropriate? Are they ugly or of the wrong category?"
"Well, in a way they are the wrong category."
"Now Sir John, you are confusing me."
"They depict inappropriate things Andalma Ikeram."
"What inappropriate things?"
"Things not fit to be seen in public."
"What? Human sacrifice? Torture? Theft and brigandage?"
"No, no, rather, ah, showing things that may not be inappropriate in private, but that should never be shown in public."
"But..." Ikeram felt very confused. "I cannot imagine what would fall into that category."
All the way the conversation was quite clumsy, not straight forward exchanges, but often several minutes needed to convey the meaning of each sentence. It was quite frustrating and so Ikeram wondered if it was simply that his interpreter had not yet mastered the language.
That was when a Frenchman appeared, at least he introduced himself as French, and, though he said, "I am sorry Sirs, but I could not help to notice your curiosity. I do not speak good English, but for your sake I can show you our drawings of the covered items."
This was rare luck Ikeram's interpreter told him, for the French humans apparently resented and rarely used the language of the English humans.
**** **** **** ****
For Sir John this was a nightmare come true! Not only was he asked about the hidden displays of very, well,
French art, but now some horrid Frenchie was showing the Asnachan merchant
dirty lithographs. Well not pornographic to be sure, but a French catalogue of the items they were sending, some of which were erotic statues.
Fortunately Ihor Ikeram seemed more puzzled than anything else, and they soon moved on to look at the various tapestries; a display of stuffed dogs and kittens playing cards (sent by the German Union); the Koh-i-Noor diamond (sparkling joyously under a tight beam of electrical light that seemed to gain as much attention as the diamond); an elaborate display of every kind of fur from Russia and the Americas; ivory both carved and natural; displays of Italian craftsmanship and silken ware; a great variety of India Rubber boots and other items; chandeliers, crystalware, plates and cups from the Italies; and many other items from across the world.
All the while Ihor Ikeram, or one of the Asnachans next to him, would make tiny little notes at the items. For, as they said, the catalogue of the exhibition was simply so enormous that they had only made little progress in translating it into their own language.