Spain’s El Pais newspaper apologizes for 9/11 Ad

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Phil Skayhan
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Spain’s El Pais newspaper apologizes for 9/11 Ad

Post by Phil Skayhan »

EL PAIS apologizes for the use of the images of the terrorist attack against the Twin Towers in New York, which happend on September 11, 2001, for a campaign to aquire subscribers to ELPAIS.es. This regrettable campaign, carried out through emails, supported by two photos of New York, one with the Twin Towers and another one without, under the heading “You can do a lot in one day, imagine what can happen in three months”. The promotional campaign started last Monday, September 13, and was sent to more than 50,000 recipients before it was cancelled, on Wednesday 15th.

EL PAIS, its publisher and the Grupo Prisa profoundly regret the use of a tragedy, which in this case cost the lives of more than 2,700 persons, for publicity purposes. We would like to apologize for it to the victims and their families, to the citizens of New York who experienced that agression from up close, and to those who saw among their email this ominous message, and to all the readers of the newspaper.

Any explanation about the chain of errors which led to the launch of this campaign is insufficient, which some of our readers rightly qualified as repugnant. We share the disgust they have expressed in numerous messages and letters to the management and we are sorry it happened.

The Prisa Group has opened an internal investigation to clarify how it was decided to launch this promotional campaign and to take appropriate measures. Effective inmediately, it has ordered the company used to send out the emails that it mails all recipients of the campaign to apologize.

EL PAIS would like to express once more, like it has done in its 28 years and almost 10,000 editions, its solid solidarity with the victims of terrorism. Like said in EL PAIS editorial on September 12, 2001, and we repeat it fully here again, those terrorist attacks touch all citizens of good will, without distinction of borders or continents, and constituted an attack “against those with whom we share the same democratic principles which in our country costed so dearly to attain”.

The barbarian terrorist attacks which happened later in the rest of the world, among other places like Madrid, did nothing but confirm the necessity to act firmly and democratically before terrorism, which must exclude any irresponsible use of these events.
Here was the ad in question
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Post by Iceberg »

That was... pretty damn tasteless of an ad to be running in the first place.
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Post by Darth Wong »

That's incredible. How does something like that get past managers etc?
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Post by Colonel Olrik »

It's idiotic and indeed tasteless, but badly translated.

The main title actually reads:
A lot can happen in one day, imagine what can happen in three months.
which I find less offensive than
You can do a lot in one day, imagine what can happen in three months
in the english translation.
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Post by Lord Poe »

With all the worry about "Americanizing" French culture, who didn't they stick to something closer to home?

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Post by salm »

Lord Poe wrote:With all the worry about "Americanizing" French culture, who didn't they stick to something closer to home?

"A lot can happen in a day..."
errr... this is spanish not french.
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Post by Lord Poe »

salm wrote:errr... this is spanish not french.
LOL!! Thought it was a Paris newspaper! Aw fuck it, I don't want to Google for Ponce De Leon pictures anyway!
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Post by Broomstick »

Darth Wong wrote:That's incredible. How does something like that get past managers etc?
I've seen stuff somewhat like this before.

Someone who swallowed all the shit they learned in getting their "Marketing" or "Communication" degree looks for an "attention-getting image" to get "noticed", totally without considering what sort of emotion they're generating.

I find it most commonly in artsy-fartsy types who are very into rhetoric and can't give a straight yes or no answer to anything. In college we had one of these show a very graphic film documenting Nazi atrocities (heaps of sorted shoes, clothing, piles of women's hair, the damage done by fingernails to the roof of the shower room at Aushwitz, that sort of thing) as part of a discussion on the use off effective imagery on film who just could not comprehend why all the Jewish members of the audience got up and left, as did several other non-Jews, and two of the departees were vomiting into a trash can in the hallway. The dumb bitch is talking about lighting and composition and the audience is reacting to human body parts and graphic evidence of death.

SSDD

It shows an apalling lack of empathy.
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Post by salm »

Broomstick wrote: I find it most commonly in artsy-fartsy types who are very into rhetoric and can't give a straight yes or no answer to anything. In college we had one of these show a very graphic film documenting Nazi atrocities (heaps of sorted shoes, clothing, piles of women's hair, the damage done by fingernails to the roof of the shower room at Aushwitz, that sort of thing) as part of a discussion on the use off effective imagery on film who just could not comprehend why all the Jewish members of the audience got up and left, as did several other non-Jews, and two of the departees were vomiting into a trash can in the hallway. The dumb bitch is talking about lighting and composition and the audience is reacting to human body parts and graphic evidence of death.
it might be horrible, but somehow you have to learn stuff like how to light and composit death scenes. i mean take a film like schindlers list. i´m quite sure that spielberg spent a hell of a lot time on thinking how to portray corpses of mass murdered jews.
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Post by HemlockGrey »

So, Poe, what's that a picture of? The Nazis taking Paris or something?
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Post by Falkenhayn »

HemlockGrey wrote:So, Poe, what's that a picture of? The Nazis taking Paris or something?
You've never seen the film reel of the Germans marching down the Champs Elysee and all the French balling their eyes out?
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Post by Broomstick »

salm wrote:
Broomstick wrote: I find it most commonly in artsy-fartsy types who are very into rhetoric and can't give a straight yes or no answer to anything. In college we had one of these show a very graphic film documenting Nazi atrocities (heaps of sorted shoes, clothing, piles of women's hair, the damage done by fingernails to the roof of the shower room at Aushwitz, that sort of thing) as part of a discussion on the use off effective imagery on film who just could not comprehend why all the Jewish members of the audience got up and left, as did several other non-Jews, and two of the departees were vomiting into a trash can in the hallway. The dumb bitch is talking about lighting and composition and the audience is reacting to human body parts and graphic evidence of death.
it might be horrible, but somehow you have to learn stuff like how to light and composit death scenes. i mean take a film like schindlers list. i´m quite sure that spielberg spent a hell of a lot time on thinking how to portray corpses of mass murdered jews.
Yes, but when Schindler's List came out there were all sorts of warnings attached to it. It was pretty unlikely someone would enter the theater without some clue what was coming. In fact, I remember many threaters posting signs stating, at the ticket counter, that it dealt with death, war, genocide, and other horrors. The incident to which I refer involved the class being told "we're going to study composition and lighting in several films" and the prior ones were quite innocuous then WHAMMO! Dead bodies, starving people, and various other documented horrors.

Yes, you have to know about horrors and they need to be dealt with - in an appropriate manner and an appropriate time and place.
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