Falkenhayn wrote:Ghetto Edit.
Zornhau wrote:
Do you have any primary source evidence for this?
Why is it that only primary source documents will satisfy your burden of proof? ....[snip].... Are you sitting on top of a copy of "Sweyn Redbeard's Instruction in the Noble Art of the Danish War Axe" and not telling us?
If I was sitting on Sweyn Redbeard's Instruction in the Noble Art of the Danish War Axe, you'd ####ing hear about it! I would
slay for a pre 1200s manual.
Primary sources are required because they exist, give quite specific combat descriptions, but - as far I as know - mention niether of these two techniques.
What have buckets of Icelandic sagas. All the fight scenes I've gone over imply very short exchanges, often finished with a single well-timed cut or thrust.
Sometimes the techniques are quite advanced and specifically described. For example, in Njal's saga, the hero (IIRC) deflects an axe using a cloak wrapped around his arm.
Even so, I've yet to come across axe whirling, or offhand bearded axe. If you can find a quote from a saga containing these, then I'll be ecstatic.
Otherwise, based on my own direct experience of reenactment and WMA, I would be very doubtful about the authenticity of such techniques.
The axe whirling in particular is most obviously pish:
-Exposes hands by holding them in an advanced position
-Ax passes through disadvantageous guards
-Entails a full-on stance, making it hard to pivot forward with a cut, thus reducing effectiveness*
-Interfers with mobility (battlefields aren't flat, empty, or static)
-Hinders timing
-Exhausting
-Requires extra space
-Possibly error-prone (imagine doing it with cold or wet fingers when scared?)
-Risk of taking out a mate by accident
*A clincher. Great blows entail stepping with a cut. All the whirl in the world is no substitute for 300lbs of armoured huscarl.
German longsword alone has several core techniques one would use with confidence against the whirl: cutting off, over running, following after, hand cutting, plus good old Krumphau.
"Let teachers and philosophers brood over questions of reality and illusion. I know this: if life is illusion, then I am no less an illusion, and being thus, the illusion is real to me. I live, I burn with life, I love, I slay, and am content" (REH's Conan)