Obviously, you haven't.Yes I have.
I wouldn't call 6 centuries 'recent history'.Well Atlantis is a purely fictional account and there are reasonably theories that the author (or authors) were inspired by the destruction of the Crete civilisation that had occurred in recent history at the time (Atlantis sounds like fictional Mediterranean city state on steroids).
Moreover, even if that was the inspiration then Atlantis still wasn't based on an existing city as you claim. It takes the splendour of one city or state, the demise of another, combines it with a completely fictional geography...
And Atlantis is generally credited to one author, Plato. I know ancient authorship can be a bitch to trace but it's not like the writer was lost in the mists of time.
What "middle class"? They didn't even commission the Aeneid! Not to mention that it wasn't even written until the Republic had been reduced to a hollow shell. Young republic my ass.Yes, they wanted a more romantic account of the founding of Rome that would be more suited to a respectable capital city of a young republic, not some large farming community. I can imagine the growing Roman urban middle class would find the story of Rome being founded by Troy survivors more appealing.
No shit, Sherlock. Tell me again why the bible is relevant in all this.That's where the Bible's tall tells and contradictions came from.
That sentence barely makes sense.Romulas was obviously spun for peasants if it originated from early Rome, which was a glorified collection of farms and villages.
The legend of Romulus, much like the lineage of the seven kings and stories like the theft of the women, was way for the Romans to reconstruct their past that got canonised by Virgil and Livy, based on existing myths. It wasn't "spun" to entertain "peasants".
Oh boy.But Troy and Atlantis were written by upper class scholars, but people unable to read or write legends spread them through word of mouth.
"Troy" (you do mean the Illiad, right?) was created exactly in reverse of how you describe: oral tradition coalescing in a written account. Atlantis (well, the work it first appeared in - Critias?) started and ended as a written work, it wasn't even that well-known.