By that logic, everyone from Errol Flynn to Sean Connery to Kate Winslet is an American movie star, too. The fact that Neeson and McDiarmid turned in better performances than some of the other actors is not just a reflection of talent. They've been in movies and stage for decades. Portman and Christensen took their roles when they were teenagers.Illuminatus Primus wrote: They're American movie stars. Particularly Portman. Not exactly grooming for the better acting - the British stage actors are better. You disputing this? McDiarmid and Neeson may be the strongest actors of the entire PT.
There is absolutely nothing in those quotes that is contradicted by the other movies, so what are you bitching about?Excuse me? I assumed? "Before the dark times; before the Empire." Or how about, "My father didn't fight in the Clone Wars, he was a navigator aboard a spice freighter." "That's what your uncle taught you." Or "You fought in the Clone Wars?" "Yes, I was once a Jedi Knight the same as your father." "When I first knew him, your father was already a great pilot, and I was amazed how strongly the Force was with him. I took it upon myself to train him as a Jedi."
None of this squares away without awkwardness with the PT, and Anakin as a hotshot pilot is a lot more compelling that a nerdy kid with a cliche personality. I'm discussing how the PT was weak, and how it could be made better, not that I expected GL to do what was in my head. So stuff the stawman. Cliche nine year olds make poorer characters than young men with character continuity to their older self.
Do you have evidence that flying a pod or a speeder is that much different from flying a fighter? I remember ANH when Luke is not only allowed to fly a fighter, but is placed in charge of two other pilots (Biggs and Wedge) when the only thing we've seen him fly so far is his landspeeder and we hear one mention of him flying a T-16, which doesn't appear to be any trouble to fly at all (you see one gliding casually on Tattooine in ROTJ). So if Anakin's ability to fly a fighter by the seat of his pants (with R2-D2 helping him) is "wank deus ex machina and it blows cock", then Luke being allowed to fly in the Battle of Yavin at all, being put in charge of Biggs and Wedge, mastering his X-wing, and scoring the decisive shot are wank on an exponentially larger scale and blows an infinitely larger amount of cock.Which is WANK and stupid. I know people who can race riced up cars; can they pilot fighter jets BETTER THAN TRAINED pilots? TPM was wrapped up with wank deus ex machina and it blows cock.
You must have missed the attack on the Jedi Temple.Okay, whatever. And I know that, but there wasn't much hunting down and destroying, was there?
Concession accepted.Anyhow, this is my point of least concern.
It's the only way that makes sense. Kids that age regard being taken away from their parents as about the worst thing imaginable. Anakin's removal from his mother is softened by (a) Qui-Gon Jinn being an ideal father figure (b) if he stays home, he faces a life of slavery and (c) he gets to go do all kinds of cool stuff he dreamed about. Adolescents and teenagers can't wait to get away from their parents. What's more, one's personality is more or less formed by ages 12-13 (earlier for smarter kids), which is why in so many societies children (especially males) were considered to be adults until the last hundred years or so when they reached Bar Mitzvah age or King's Oath age. It would be pretty hard to manipulate Anakin to the dark side if his opinions and personality were already formed.Anakin-as-a-nine-year-old is a shitty character and a poor way to start the PT.
I know that your poor understanding of the story, storytelling in general and human nature makes you right? Please.Its a weakness, and starting the trilogy off with a more AOTC-ish Anakin, before being discovered would've made for a better character. And the nine-year-old ricer being able to pilot spacecraft is just obscene wank. You know it, and everyone knows it. If you want to dispute this, whatever - if you like the taste of shit, there's no logical argument.
You're not supposed to give a fuck about the battledroids any more than you were suppsed to give a fuck about the chainmail-clad soldiers in The Adventures of Robin Hood who die with arrows in their chests. Ditto for the clones. In fact, since the clones are presented as such obvious precursors to the stormtroopers, even the casual viewer gets the impression "Uh oh, those are going to be the bad guys.".Once in the entire series. At least you had the Rebels you sympathized with in OT. No one gives a fuck about the robotic clones and the bumbling droids.Elfdart wrote:Unlike the stormtroopers who walk into doors.
Besides, no one gave a fuck about bumbling stormtroopers or the Rebel soldiers who died in droves on the blockade runner or on Hoth. They gave even less of a shit over the Rebel soldiers who died on Endor. They were redshirts in cooler uniforms, nothing more.
If they were, they wouldn't be patsies anymore.Elfdart wrote: And the patsies can't be scary or impressive in their own right?
Anyone who paid attention in ANH noticed that Darth Vader was the Emperor's gofer. He was tool who found himself taking orders from a governor. Those who watched ANH without having their fingers in their ears and heads up their asses noticed that the Emperor was the one calling the shots and was therefore the ultimate evil in the galaxy. TESB confirms this when he knuckles under to the Emperor.Darth Vader embodied evil until ROTJ we see he's really just a lapdog and enabler for the real evil: Palpatine.
So the fact that he was a pussywhipped, self-serious teenager makes him a buffoon for life?I suppose he should've just been a fucking bafoon from the start?
They're not warships, numbnuts -they're cargo haulers with guns added.Warships should. McQuarrie, an engineer, produced the ISD. Doug Chiang, creator of the N-1 artpiece that looks like it ought to fall apart, made the flying saucers of doom.Elfdart wrote:You're right -cargo haulers should look kewl.
Want some cheese to go with that whine?I don't understand why you're being such a colossal asshole about what comes down to aesthetic preferences.
Oh damn, you have to wait all of 2 minutes in TPM before the fighting starts. Boo hoo. You must really hate TESB, since you have to wait 20-30 minutes before the action starts.1. It is the start of all popcorn movies, and popcorn movies should have cool battles, not regal you with bureacratic bumbling and "tax disputes."
Mistakes? You are one dumb twat. Lucas tells Chiang and everyone else he wants everything shiny, colorful and new -very Flash Gordonish- and his employees deliver what he wanted. Lucas went to McQuarrie because he had worked for NASA and on 2001 and wanted a more industrial look. Chiang didn't make mistakes any more than McQuarrie did.McQuarrie was simply a better educated and more intelligent art director than Chiang, their mistakes speaking to that.
What a load of bullshit. Kurtz nearly spent Lucas into bankruptcy and they had a parting of ways because of that as much as anything else. After TESB, Lucas worked with Howard Kazanjian on Raiders of the Lost Ark. The result was the exact opposite: the movie was finished early and under budget. It did almost as well at the box office and better with critics and the Academy (nominated for Best Picture). The studio had no say with TESB and zero creative say with ANH, except for memos suggesting that Lucas make Chewbacca wear pants or lederhosen. With input like that, no wonder Star Wars turned out so well.But Gary Kurtz did tell Lucas "no" and eventually left over their differences (which is why ROTJ was weaker than ANH or TESB), and he had to compromise with other talents and personalities, as well as the studio.
Star Trek with Roddenberry: a classicSame thing with Roddenberry and TOS; collaborations produce good stuff, "the true intent" produces TNG and the PT.
Star Trek without Roddenberry: sucks out loud
Did the Gungans before TPM?Did they fight field armies?Elfdart wrote:The Gungans were supposed to be backwards and pitiful. Does the Tuskens' use of gaffi sticks prove that Johnston and McQuarrie were telling Lucas "No"?
You left out the most important part: Lucas looks over all the designs and says "I'll take that one." And yes, the period is supposed to be absurd and decadent, like the Roaring Twenties before the rise of Fascism.The Galactic Republic's ships were supposed to be geometrically impossible in order to show its decadence? GL describes vague shapes, artists draw them, and in the PT they managed to make every fighter in the entire series not fit R2.
Which one helped him write ANH? Which one helped him direct it?
And that's exactly my point. Kasdan, Kurtz, and Kershner helped him out and it shows.
Which Stoppard denies.What are you talking about? Its plain public evidence that he had co-producers, writers, and directors in the OT, and in the PT he did everything by himself, except ROTS, where he got playwright Tom Stoppard to polish the dialogue and ghost re-write the script.
Yeah, the most successful filmmaker of all time needs to be told how to make movies.Everyone has poorly concieved ideas. GL is the lynchpin without which there is no SW. But that doesn't mean he doesn't need collaborators and other talented people to give him harsh advice sometimes.
Not this bullshit again. Kurtz was replaced by Kazanjian for obvious reasons. Funny how Lucas can make successful movies without Kurtz and Kershner, but not the other way around. Last time I saw anything about Kurtz was an ad for an indie film about the release of Star Wars where he's one of several executive producers. The last time Kershner was seen or heard from was his cameo in On Deady Ground, a Steven Seagal movie. Yeah, Lucas would have been lost without them.Groupthink is a poor substitute for constructive criticism. And this time there were no Kasdan, Kurtz, and Kershner to help - and his conflict with the latter two is a matter of public record, and why they both didn't return for ROTJ (and why ROTJ is weaker than ANH or TESB).
Kasdan quit writing for anyone but himself as he was busy directing his own movies after ROTJ, which only agreed to do out of loyalty to Lucas. So there were no problems between those two. Kasdan told the Baltimore Sun that he had looked over the screenplay to TPM and told Lucas he wouldn't change a word. Frank Darabont agreed that Lucas should write it himself and that he (Lucas) didn't need his services.Elfdart wrote: I just said Lucas gained from his collaborators' help in ANH and TESB, like
Kasdan, Kurtz, and Kershner, despite any disagreements he may've had with them. This time around, it was almost entirely his show without much outside talent, with notable exception of Tom Stoppard and ROTS is accordingly by far the strongest of the PT.
Contrary to the myth created by disgruntled fanboys who think Lucas should have consulted them about making the prequels, Lucas isn't surrounded by lackeys. Francis Coppola isn't afraid of telling anyone they're wrong (least of all Lucas) and he was a regular visitor to the sets and production of the prequels, even recommending people to help Lucas make the movies. Walter Murch is another person who knows Lucas well enough to tell him he's wrong. As is Steven Spielberg. As are a number of others. The notion that George Lucas is the Emperor and everyone around him is a toadie who tells him his clothes are amazing when his balls are in plain view is baseless.