Big Orange wrote:Hmmm, in that case Super Rose was not completely out of the blue, if the TARDIS' Heart was set up in "Boomtown", showing it had the potential bequeath tremendous cosmic power and access to the Time Stream to anybody foolish or brave enough to get completely exposed to it after yanking open a control panel in the Console (Rose nearly died and the Doctor had to sacrifice a Generation after absorbing it).
She was
literally a god out of the machine. The plot's about to go to hell, then a diety appears on stage, intervenes, and makes it all better. Rose God of Thunder fits the term in the most direct sense imaginable.
If she did something clever - like use that knowledge of time and space to procure some way of refining a delta wave - it wouldn't be so bad. But no, she literally comes on, with the powers of a god, and wipes away the villains with a wave of her hand.
Want to know the really pathetic thing? I've seen
character absorbs the vortex and becomes a vengeful god done much better. And so had RTD, at that point. The Eigth doctor does it in the comic strip
The Flood and wipes out a cyberman ship¹. The difference is, he doesn't manage to save everyone, he doesn't regenerate² and he has to give up that power in order to save his companion from certain death.
They basically copied it out of a comic book, and made it worse. Not only does it
literally fit the origin of
Deus Ex Mechanica (though I suppose she really should have descended on wires for that) but it's an inferior copy of a comic book.
¹ I like to imagine that's what Tennant's 'If a Time Lord did that, he'd become a god... A vengeful god.' line is about.
² Though they were going to have it force a regeneration, even wrote a script for it, and show him becoming Ecclestone, RTD wouldn't let them, as the Ninth Doctor was only to be depicted with Rose.
The nanogenes were the problem and the solution, not unlike Torchwood's control levers for the dimension porthole in "AoG/DD" (ditto for the Paradox Machine and Angel Network, but that sort of story mechanism was getting tiring, and repetitive the fourth or fifth time it occured in "LotTL").
And you'll notice I didn't complain about those so much. Beyond the general theme of 'all problems except cannibalism in
Torchwood are the direct fault of the innuendo squad.'
Last of the Time Lords would have been greatly improved if the Archangel network apotheosis had been only one of several plans the Doctor had concieved.
If they wanted their hard, dangerous 'Family of Blood' torturing Doctor, they could have suggested that he'd suggested Martha sabotage one of the rockets, too, so that the Earth would implode into a black hole if it was launched. On the basis that it would be better to destroy even Earth than let the Master start his war.
A few more infuriating opinions:
* Collin Baker may have been arguably the worst Doctor through either bad acting or bad writing, but the rabid vitriol he too often receives from fandom seems utterly disgusting and unwarranted, especially after I learned that he suffered tremendous personal tragedy not of his own making…
* The Raxacoricofallapatorians are a decent semi-comical species and that Raxacoricofallapatorius should be visited in future episodes, becoming a main focus of the alien worlds after Gallifrey and Skaro have both gone bye-bye.
You really want them to blow half a season's budget on a swamp planet?
* “Last of the Time Lords” deserves to be seen as a overly ambitious, sickly sweet, overwritten mess with a few plot holes, and a genuine cop out ending, but that doesn’t stop it from being a hugely entertaining and endlessly inventive episode.
There were a number of things I liked about Last of the Time Lords, ranging from the antics of the Master to an appropriate use of a technical term and a measurement, and covering a number of other things. That's not really a fringe opinion. Most people here seem only to dislike his stupid and overcomplex plan.
* Poor special effects, cheesy costumes and very cheap sets can cause almost as much damage as poor script writing and bad acting, with even the most epic and well thought out episodes getting sullied as well (but at least you can do sarcastic MT3K-style commentary in many of the old DW episodes).
I frequently go to a club where we do this. Last thursday I spent quite a bit of time mocking the fact that every Silurian appears to be doing some kind of dance when it moves.
If the effects in the modern Dr Who were that bad, I'd be panning them too. Dr Who did what it could with the budget and technology limitations of the time.
* Catherine Tate is the most highly experienced and multitalented regular actress to date, she is inevitably going to be given better material than what she usually gets in in her mediocre comedy show, and she is going to prove all those hecklers wrong.
I hope so.
* I want a young (but talented) relative unknown to take over as producer after RTD goes, to give the franchise a genuinely fresh perspective (but still have Moffat and Cornell on the team).
See the thing with unknowns, is that it's hard to tell what they're going to do.
* Strike a balance between contemporary Earth and alien settings, with less focus on Earth time travelling.
And yet you'd also like good sets and alien costumes...
* I far prefer Tom Baker in recent years as a eccentric but gravitas heavy narrator instead of the Doctor.
* I liked UNIT’s flagship, Valiant, and it was good to see UNIT literally on top of it’s game again (despite being subverted from within by the Master).
It's UNIT. Being subverted by the Master is practically in its charter.
* Russell T. Davies is a more competent and creative Jonathan Nathan Turner.