Stuart wrote:I think you (badly) need to read the story. Michael-Lan is Using drugs to subvert the ruling structure of Heaven and as part of his long-term plan to remove Yahweh and establish what he considers to be a more reasonable regime.
For me, that's as big a problem as Michael being a pusher. The fact that the angels can actually be subverted with sex, blow, and Glenn Miller sucks a huge chunk of the mystery and the menace out of them. They're already bronze age primitives (they have to be, or it makes no sense the demons could fight them to a standstill) and helpless before our weapons. Now they're helpless before our vices, too.
It just plays into the impression that we're reading an elaborate exercise in "Humans are awesome at everything". These creatures are ancient, powerful, and, judging by the hints you've dropped, they've seen a lot more of the universe than we have. Surely they've encountered sights, sounds, and even drugs that are more interesting than anything we could provide.
That is in fact exactly the situation. The only defense against Uriel was to kill him or drive him off before people started dying. Humans had learned to resist his attack but they were only buying time until the human defense forces arrived. It was made quite clear that their resistance was steadily weakening and would collapse in time. Uriel had wiped out (or severely mauled) a lot of towns before he arrived in the United States. Once in the U.S. he was deliberately and very ruthlessly steered by Michael-Lan to the targets that were most likely to get him killed. Michael-Lan wasn't powerful enough to take Uriel down on his own, he needed humans to do it for him. So he shepherded Uriel to cities that were ringed by defenses and had airbases in close proximity. In a very real sense, Uriel was killed by humans but he was murdered by Michael. Uriel could have achieved a lot more in terms of death if he'd picked small towns somewhere well-removed from military bases and concentrated on them. That would have accommodated his ends but not those of Michael-Lan.
There's no story reason why Uriel couldn't have been effective
and ultimately vulnerable to human weapons. It's not like it doesn't serve Michael's purpose if Uriel depopulates San Deigo before he takes a missile up his ass. You did a really effective job building Uriel up as a terrifying threat in the first book, and then Pantheocide comes around and
dogs can resist him.
I know one of your themes is that rational modernity gives humans the tools to resist the superstitions that gave the gods their powers, but, 1) I feel like it would have made Uriel scarier if he could still inflict massive casualties despite this resistance (especially since unlike most deaths in this book, if Uriel gets you, there's no condo on the Styx waiting for you), 2) it would have been more poignant if the people he attacked were able to slow down Uriel long enough for the Air Force to get him, but not long enough to live, and 3) but you made that point pretty thoroughly when you
killed Satan with missiles. You have some flexibility with the magic now.
I've been writing professionally for around 35 years but nearly all of that is producing dry reports and technical documents. Even so, remember what you see here is very much a first draft document. Not only that, it is a first draft assembled from multiple authors whose work has to be smoothed to the same style and arranged in logic order with the dead ends and plot distractions deleted. Polishing TSW:A is really hard work. It's taking a lot longer than I thought. By the way, you'd be amazed at the difference the editing makes - there's a reason why authors and copy editors are different people. PS if you are doing a collection, a bottle of 18 year old Laphroig would probably be more inspirational.
Yeah, editing's a bitch under the best of circumstances. Armageddon must be a cast-iron motherfucker.
This is a military situation, one does resolve them by shooting at things. However, remember the background this story came from. The premise was that the netherworld, as laid down more or less in Biblical text, is condemning humanity and humanity fights back. I then looked at the kind of weaponry was described and the sort of societies represented, compared it to what we have now and sort of sat back stunned. Two thousand years ago, the authors of those texts gave their gods the most powerful weapons they could think of and to us, they're pathetic jokes. We could walk all over them.
"Biblical demons are shit against modern technology" presents all kinds of fun possibilities, but there's only so many times you can read about demons getting massacred. It's a fine premise for a short story, but it just get tedious when it happens over and over. I don't think you need more than a short story--or a prologue to a much longer work about the aftermath--to make that point.
And it doesn't help that in this story, we're not only merely
told about potential disasters (like the ammo supply), we're told about it in the
sequel. Why not let the humans run out of ammunition or fuel (or both) mid-battle once and get massacred in return? It only has to happen once, and every battle after that, the reader is constantly worried it it's going to happen again.
Two things came out of that, what would walking all over the opposition like that do to us as a people? And doing so would bring hope to Hell, what would that do?
These are interesting questions. Unfortunately, it's going to take something like 600,000 words before we start answering them in earnest. There's only a few times when we doubt the humans will win, and really, at this point I don't even doubt we're going to get through it without any serious damage--at this point, we've been let down by Belial's sky volcanoes (too little, too late, and he hit secondary targets at best), the logistics situation (it hasn't affected the outcome of a single battle), Hell's weird topography (you had a genuinely scary moment with the tank platoon that couldn't find the portal again...but then they did find it, and after that, the problem was only a nuisance), the first plagues (the "seas of blood" were fixed by dying them blue, and for all the damage they probably did to the fisheries, nobody we like is in danger of starving), and Uriel, so I just don't take the story seriously when it starts foreshadowing grave threats in the future. So...what's left to read about? How they get into Heaven? This is all made-up physics; I'm not interested in the mechanics of reaching Heaven any more than I'm interested in the mechanics of a warp core. What they'll do when they get there? That's obvious. Michael's machinations? If I thought there was any chance whatsoever of Heaven winning, or Michael getting out of this with his empire intact, maybe, but right now, I look at it the same way I look at the palace intrigue in Hell--a bunch of jockeying for position that came to nothing when the humans installed Abigor.
The "omniscience" viewpoint was kind of forced on me. I have no intention of taking this storyline beyond the initial trilogy so it had to be a self-contained package. Normally, my preferred way of doing things is to pick out a couple of intertwined paths and follow them so the fictional universe is shaded in as the stories add up. I would much have preferred to have worked from a singular (or two or three related) positions as well. The limited run of the TSW stories doesn't allow that. I had to try and accommodate the whole world in a single panning shot so to speak. Even so, this grew from one volume to three (a growth that itself caused problems) yet is still a limited canvas.
Yeah, space limits are a bitch. Try fitting an entire interplanetary war into 110,000 words sometime (no fair doing it in an established setting, either).
Anyway, yeah, I recognize that unless you want to write an entire epic series, you're going to have to cram a shitton into three books. And I'm assuming part of your editing process will involve dropping some of the subplots, simplifying the narrative. Still, this is a huge story, and I stand by my position that I think it tries to do too much. I'd rather see a less ambitious story with more attention paid to the characters and themes within it than a gargantuan story that doesn't give all its ideas their due.
Ford Prefect wrote:The fact that Uriel gets killed (neglecting for a moment that he was effectively murdered by Michael) is the turning point of the story - and it's deliberately symbolic that he was killed by a laser. Uriel is the old school, the old way of doing things, the mainstay of Yahweh's rule and society. He was seen as the sword of the light so he is killed by a sword of pure light. His death is the exact half-way point through the story. His death at the hands of a laser marks the handing of the torch on from the Universe-Two beings to us. We're now the deadly ones, we're the ones that can inflict mass death and destruction and make creation bow down to our will. The war will have to be fought on our terms now - Michael-Lan knew that all along and that is what he has been trying to maneuver, a way that Heaven can fight us on our terms and still survive. Hell never saw that, hence the curb-stomping. And yes, the humans are powerful. I'm a humanist, I rather like humans which is why i think it's a pity we're not going to survive much longer.
I don't think you've really addressed Ford's point here. To the extent that he (and I) accept the story for what it is, there's no problem with Uriel dying of acute laser poisoning. And I (and he, presumably) get the symbolic value of Uriel dying. The problem is by the time Uriel dies,
nobody takes him seriously. Every time he shows his face over the United States, he gets chased back into Heaven, bleeding, after having killed only a relative handful of people (he can't even kill all their
pets, for Christ's sake). We're
told he's the biggest threat we face, he's
built up as the biggest threat we face, maybe he
is the biggest threat we face...and he's a joke. Belial, a two-bit nobody by comparison, killed more people.
This is Drama 101 stuff. You build
up the threat the heroes face before they triumph (while leaving just enough of a gap in its armor for the heroes to win without a
deus ex machina). Uriel's menace goes
down every time we see him. He starts out mysterious and terrifying, and gets weaker as we go, until there's no doubt the attack on Los Angeles will fail, and this time, he'll be laser-bait.
Fortunately, this is a pretty easy problem to fix. All he really needs to do is succeed in killing people, even if they can resist long enough to slow him down for the Air Force to catch him. And I don't mean some goat-herders or a shantytown somewhere; I mean, before the Navy shoots him down (or better yet, drives him off with the radar after he'd dodged or deflected or tanked all the missiles they throw at him), he turns San Deigo into a boneyard. All of Southern California. Or more--maybe so much that another attack on that scale knocks the United States out of the war. Whatever. Just so that the audience is left thinking, "This thing is the scariest motherfucker anyone's ever seen. How will the humans
ever stop him? Maybe they won't--maybe Stuart's about to sucker-punch us and let the humans on Earth lose, and the only survivors will have to retreat to Hell."
They're much more than that actually. They're stopping a lot of things happening and become critically important very shortly. They haven't been too significant up to this point because the war is deadlocked and there are no major operations going on.
I hope so, but I have to be frank here: every other "big problem" has turned out to be a disappointment.
What I did was take the described "powers" and try and find some sort of rational explanation for them. The First Law of the Salvationverse is that the physical laws have to be similar enough for interaction to occur. If the divergence is too great, then interaction becomes impossible. As a corollary, if they can interact with us, we can with them. Thus, if they can hurt us with a thunderbolt, we can hurt them with a shot from a tank. I tried to give the netherworlders every power listed (throwing thunderbolts, possessing minds, invisibility, suppressing life etc etc etc). Don;t blame me if they're so feeble, blame the ancient scribes who didn't have enough imagination to think of all the ways humans can find to kill each other.
Oh, come on, now. You're the
writer. Even within the parameters you set for yourself, there's room for the plagues of Revelation to be
much more disastrous than they were. Junghalii made some suggestions; I'll add another. Make the "blood" a bacterium that kills all life in the ocean, including photosynthetic plankton. It's no less believable than kaiju, and we are
fucked; and it's closer to the spirit of "the seas turned to blood" than "there was a huge red tide".