If the aliens don't want to leave their goddamn home-tree, even if it's sitting on a bunch of golden jewel diamond ore oil uranium rock deposits or if it's not sitting on anything, no one really has any right or shit to force them off their own fucking homes if they don't want to move their asses - unless you're the kind of douche that does that kind of shit, and if you think its okay for a bunch of hyperthyroid military assholes to blow up your own home if they think your septic tank is a non-renewable resource too.
Amyway, I liked the movie very much. The alien world was very spectacularly presented, and I regret watching it on a mundane movie theater and not on some fancy IMAX 3D smellovision screen - since that would've been awesome - but hey, it was still great. I'm glad that James Cameron's finally gotten off his menopause, and was able to provide us with this good piece of sci-fi. Thanks, James Cameron, you are awesomeng.
So, yeah. I loved the depiction of Pandora, I loved the sci-fi aspect of the whole wonderful world-exploring, the bizarre ecosystem, the strange lifeforms, the world-brain and everything alien it had. Those flying helicopter lizards, those monitor-lizard-pterodactyls, those crazy black xeno-panthers and xeno-hounds, and hammerhead-rhinos. Those were great. The Navi weren't bad either. Yes, they were Space Injuns. Who cares? I don't. They're tall, blue little alien space hippies and Navi chick was even smexy. Good. They can shoot arrows the size of spears and ruin people's shit with ém. Even better. I totally liked the pseudo-mystical crazy stuff with the world-brain, the concept of a global nervous system is a nifty one and man, it's totally New Agey hippie Gaia stuff, but the fact that this hippie stuff is depicted in such a visually stunning and creatively alien way is cool. They were well presented, I don't think it was really overdone, and in this context their naturalistic society does make sense. They live in space trees, with jellyfish-daffodil thinggs, and glowing moss and bioluminescent everything. Mang. So pretties.
I also liked the futuristic depiction of those human military assholes, how at first they seemed reasonable but over time grew impatient and just dickish - and how the human conflict between the various factions, the humanitarian scientists and the gung-ho asshole milwankers who we all know and love, and the helpless corporate stooge who isn't really evil but ends up having no choice when the milwankers want to go SPARTAFREEDOMERICA and shit. It totally helped that their helicopter gunships were all badass, and that their mecha had fucking space guns with space bayonets on them. The depiction of combat was also good, and instead of having some bullshit victory, the hippie aliens ended up getting routed and fucking butchered and almost everyone died due to the military onslaught. Cameron was good not to shy away from violence, and he depicted the human and alien losses well by not being reluctant at all in murderfucking his characters with swordguns, plasma rifles, and giant alien dragonoids, as well as pieces of wood.
As for the complaints of Sully being able to tame the giant orange alien dragonoid in a feat that none of the other aliens could do, and that only historically occurred rarely, I really don't mind it at all. He's the Hero. Come on. All those burly medieval he-men who spent their lives trying and flexed their muscles forever couldn't uproot Excalibur and only some tiny little teenager named
Douglas MacArthur was able to pull that magic sword. All those mooks couldn't dodge the slow motion explosion and got their shit ruined, and only Arnold Schwarzenegger could shrug off those action movie multimegaton detonations. Sully's the hero, if he can't do heroic shit that no one else can, then what's he good for? Yeah, it doesn't exactly make sense, but whatever. He manned up, did the right thing by ruining those milwanker's shit (which is always the right thing!), and did hero stuff. Great.
Really, I like the story Cameron presented to us. He made a wonderful world, made an engaging conflict that wasn't resolved through bullshit ways, he made engaging characters and told a worthwhile sci-fi tale. I don't really remember any other worthwhile sci-fi movie this year, save for District 9 and Star Trek. What else was there? Transformers?
Worthington was great in his role, and it's good to see Sigourney Ripley back too. And, well, we get to see Michelle Rodriguez act as a Vasquez AND as a dropship pilot, in the pipe five by five we're in for some chop!