Alyrium Denryle wrote:But here we run into a language issue. Now, bear in mind that some of the relevant books I have not read, but this I think is a false equivocation potentially. Black (not the skin tone, but the color of the dome of the heat lamp I have over my turtle tank) is a symbol in english literature denoting corruption and evil just as while entails the opposite. Much of Tolkien's symbolism was cast in terms of color symbols. Darkness, Blackness and Shadow denoting evil, White, Light, and Radiance denoting good.
This combined with the geography and the historical context (Namely that he was writing an epic mythology for Europe) would seem like racism. Perhaps it was racism by carelessness, but it is not racist in the sense we tend to think of it.
Actually, that was the point I was trying to make, but I couldn't think of a better way to do it than by asking a rhetorical question. Thank you for doing the job properly.
Bakustra wrote:I am not saying that a work that features a monoracial cast is necessarily racist. I am saying that having a monoracial group of heroes and a multiracial group of villains is racist.
Do orcs count as a race for this purpose?
Would Lord of the Rings have been nonracist if
all the good guys came from one monoracial bloc and
all the bad guys came from another? That would give the villains a non-multiracial cast, but I find it hard to imagine it would be less racist.
No, it has overtones because of the fact that nigh-upon all Sauron's other servants are non-white, including all the black people within LOTR. Do you see how using black in its negative sense gains racial implications in this scenario, now? The pejorative wouldn't be a problem except for the context surrounding it.
The problem for me is that I'm not sure the context is there unless you go looking for it. I mean, I understand what you're saying, but... there's also what Alyrium just said. The white/black good/evil imagery dates back at least to medieval times in Europe, into areas where there was no significant contact with nonwhite (or at least nonpale) people at the time. The only reason it's
stopped being applied today is because today, now, in this era, we associate it with racism against dark-skinned people.
Tolkien was writing on the tail end of the period before that application stopped, about an era so deep into the period that it couldn't easily be removed from it. I'm not sure how much hay can be made fairly of the idea that he
should have rejected the black/white evil/good imagery as we have.* Or of the associations it raises in the mind of some of the audience. Because I don't think Tolkien was
trying to raise those associations: I don't think he deliberately played up a theme of "these people are dark-skinned and therefore inferior."
Now, it is a problem if we talk about the movie, where everyone on the good guys' team is chalk-pale. But the movies are not the books, and were written sixty years and a couple of major cultural upheavals later.
*Except, of course, that we haven't; I mean hell, look at Magic: the Gathering cards if you don't believe me.
Admiral Valdemar wrote:I think the threat is that people today may take onboard such material as being somehow proper and A-OK, when in fact it isn't, but the usage today unabridged and edited is to simply keep the source clean and original. Given I've found a girl who claims The Wolfman ripped off the werewolves in Twilight: New Moon, I don't find this problem to be without merit.
I'm not sure I understand what you're getting at, Admiral; could you explain?
Darth Wong wrote:Are you fucking retarded? LOTR is not "history". No one is going to "whitewash history" if he updates an old story to remove its more objectionable elements when he makes a movie adaptation. If you make an update of King Kong and remove the ridiculously racist elements of the original, that is not "whitewashing history". PJ made numerous alterations to LOTR anyway, like removing the entire original fucking denouement.
Speaking for myself, I have no problem with twiddling the racial balance in old works that simply
leave out the multiracial aspect when there's no logical reason (that we see today) to do so. For instance, if anyone ever does a remake of the
Star Wars original trilogy, I'd like to see more than one black character. For that matter, what I'd really like to see is everyone looking very "multiracial" personally, because I think that's what the distant future will look like: everyone is some shade of olive to dark brown with black hair, because that's the human average. White-skinned blondes are mutants.
But what we should NOT do is effectively bar the originals from being seen at all by refusing to show them on the grounds that they are racist. I mean, I could almost imagine doing it for
Birth of a Nation or
Triumph of the Will, though those are supposedly such brilliant works of cinematography that the historians of film would scream. But doing it to the
Lord of the Rings novels? I would prefer not to.
And no, Darth Wong, I am not saying that you WOULD prefer to. I'm stating my own preferences regardless of what yours are.
open_sketchbook wrote:Sure, lets put some black characters in Ivanhoe! Lets cut out the horrid racism of HP Lovecraft! There is no reason to respect the works of artists if those works are objectionable. Lets remove all the racist content from Othello and the Merchant of Venice. There is nothing inheirently special aobut literature, it's just words. You are placing it on a pedistal as though it were a holy book, it smacks of religious behavior.
That's a stupid idea, and here's why: you're not as good a playwright as Shakespeare was. Neither is the person you pick to rewrite Shakespeare.
People have tried removing content from Shakespeare because they found it objectionable and likely to pervert the morals of impressionable youth before. The most famous example introduced the word
"bowdlerize" to the English language. Bowdler's "The Family Shakespeare, in Ten Volumes; in which nothing is added to the original text; but those words and expressions are omitted which cannot with propriety be read aloud in a family" was... well, let's just say that it's not a masterpiece.
So I don't think what you propose is even slightly a good idea.
Bakustra wrote:They're grass-skirted, pidgin-spouting, drum-playing, blowdart-using stereotypes. Do they have to have a neon sign labeled "Bushman/Pacific Islander stereotype" attached to Druedain Wood?
I don't remember the blowdarts, but it occurs to me:
You do realize that there
were Neolithic people in Europe, right? The Iron Age did not emerge fully formed in those areas. To me it seems perfectly obvious that
in the mythos Tolkien was actually writing from, the wildmen in the woods were
white wildmen in the woods. I certainly never imagined them as Polynesians.