I can't quote from his book since it's not online anymore, but he devotes quite a lot of it to his pet theory that Anakin and Vader were never meant to be the same character, then the devious George Lucas changed his mind sometime after the death of Leigh Brackett. His evidence is the fact that Lucas didn't include the surprise in Brackett's draft, and didn't (as far as anyone knows) write in down in personal notes or otherwise make a record of just when he decided to make the two characters one and the same. It's possible that Kaminski is right. It's much more likely that he's wrong for the following reasons:
That may be your problem right there. See, the PDF that Kaminski on had on his site for awhile is NOT what is printed in his book. The "book" he was working on went through three major revisions before it was printed (and last I checked, he only had a preview available). I don't see this as his "pet theory" simply fact, regarding the evolution of the character. Anakin/Luke's father = Vader was something that first appeared in 1978. If it were really something he always intended, surely there would have been some clue, in the behind the scenes material before that point. The usual argument made is that he was deathly afraid of spoilers so he didn't want to let it out. If that were the case, why did he release the novelization before the movie? And of course the other fact is that the internal scripts and screenplay drafts were not meant for the public anyway. So internal stuff doesn't reveal the secret, but external stuff does?
So there were actually some big errors in the first version, which have since been corrected and its been re-written.
Even so, the idea that Lucas planned "all along" for Vader and Anakin to be the same character and the father of Luke... well there's ZERO EVIDENCE for this being intact before 1978. The only person who says otherwise is Lucas himself (after the fact).
So now, you could say, well he had it in his mind all those years and he just never told anybody, knowing he was going to use it someday. It just seems unlikely to me (and it's nothing against Lucas to admit he came up with the idea later instead of was holding it in reserve all this time). None of those script drafts were meant for the public, and were not leaked out right away, plus his written notes were not meant for the public either. Why would Lucas write down so many irrelevant ideas, most of which were never used in ANY version of the films, but not this particular one? We see the evolution of the "Vader" and "Anakin" characters throughout the drafts, and yet there's never this connection of him being Luke's father. So either Lucas is misremembering, he's fibbing, or else he really did have it in mind for years and just never told anyone, not even his inner circle, and never wrote it down.
If Lucas had thought of it way back in the day, what would he have to lose now by producing those notes and showing everyone he had it planned out in advance? Yet, we get all these new books about the making of Star Wars and such, and it still seems to be "missing." That makes reasonable people think it probably never existed to begin with.
If it's a question of "believing Lucas" the question is, which Lucas do you believe, the one from the 1970's when he was a struggling indie filmmaker? The one from the 80's when Star Wars was building his media Empire? The 90's when he was making his big comeback to Star Wars? Or the Lucas of today?
* Artists usually don't footnote all their creative decisions, where they came from or when exactly the idea came to them.
Of course not, but if we are doing history, we can only go by what the evidence states. If a person says something, but all the documentation (and even testimony of others) contradicts what they say, which is more likely to be true?
* Two of the major influences on Star Wars (Wagner's Ring Cycle and The Searchers) feature the villain as the hero's long lost father/surrogate father -something that puts the hero in a real predicament: it's just not cool to kill your own dad. How does the hero handle this dilemma? This is Storytelling 101: Place the protagonist in a situation that is not easily resolved.
Sure, there are plenty of stories in which the villain and the hero are related. There's also plenty of stories in which the love interests are related. So what? That doesn't mean those myths automatically apply to Star Wars. I mean, would you watch ANH and honestly say that you can see that Vader is a Christ-figure? That idea is out there in storytelling, obviously, and it was applied to Star Wars later. So why not say it's part of that film?
The point is that we're not looking at this through suspension of disbelief, we're looking at how the Star Wars story evolved, based on the available evidence, not merely the creator's whimsy after the fact. He's an important source on the history, but his current statements are not the only source, nor is he infallible.
* Screenwriters, novelists and other writers of fiction are almost constantly changing characters, adding them, condensing them and deleting them. They even do this when adapting material from other writers.
Of course. And pointing this out is usually done to correct certain fans who believe that somehow Lucas had this "one giant story" in a big book 30+ years ago that he adapted into the six movies. But certain things Lucas has at times tried to claim he had always intended, like the much beloved "I am your Father" reveal.
Star Wars doesn't suddenly suck if we admit the reality that it evolved over time, rather than being "all thought of in advance." Lucas doesn't suddenly suck if he collaborated with others and drew inspiration from many sources, rather than just thinking of it all himself or only drawing from "the Hidden Fortress" and "the hero's journey."
Not that it matters: Lucas could have made his decision the day of the shoot, or it could have been lurking in the back of his mind when he started his first draft. Or he could have written different ideas on slips of paper and drawn them out of a hat.
Sure, it's possible. But all the evidence points to the idea not existing, until 1978 when it appeared in writing. There's certainly no hint of it before that.
The very idea that a person would insist that they know where, when, how and why an author came up with an idea is delusional in the extreme.
Then all literary historians are delusional, because that's why they try to pinpoint. We can't know with absolutely 100% certainty what a person was thinking at a given time, but then a person doesn't have 100% memory either. What we're doing is trying to piece together when it was most likely that they had the idea.
Maybe Lucas thought up Star Wars when he was 5 years old. I mean, how would we disprove such a notion?
Hand-wringing over what Lucas may have said in the 1970s and acting as though the man owes you an explanation for his creative decisions is almost comical.
It's not some personal vendetta. The point is that certain people act like Lucas never said anything about the backstory, meaning, there should have been no expectation about Episodes I-III until they came out. The argument was often made in the past that the Prequels should not be criticized, because they are merely Lucas' grand vision that he always intended for the characters, and it's not his fault that people didn't appreciate them. The expectations were built in part by Lucas himself, both through those interviews and through his allowing the EU writers to dabble in those areas (until he told them to stop, of course).
That doesn't make him evil, it just makes the argument that we should have had no expectations about the OT backstory silly, and it makes Lucas look a little odd for playing up these things and then dropping them without explanation.
It's not that he "owes" people an explanation, it's that people WANT one, because they're fans. Otherwise these are just some stupid movies, who cares about anything? (including defending him from criticism) All he had to do was say "I changed my mind" and boom, all is forgiven, right? Instead he made it out that the interviewers were twisting his words or taking him out of context, as if he either couldn't remember what he said, or wanted to hide it.
So what if he said he was considering making nine, twelve or a hundred movies? Did he promise you more movies? Lucas decided to limit the series to six films 30 years ago. I think that's a long enough period for him to say "No, I wasn't ever going to make more than six films." even if he did kick around the idea of making more three decades ago.
Considering how they turned out, I think many are happy he didn't make more than 6.
The point is that the whole "planned out in advance" mythology requires that he knows how many installments in the story there were. For a long time many fans BELIEVED (and not without reason) that Lucas had a stack of drafts sitting in his filing cabinet waiting to be made into new Star Wars movies. Even now Lucas admits that wasn't true. What I haven't seen him admit is that he (intentionally or unintentionally) mislead fans by feeding this rumor.
This just shows Kaminski is obsessed. Who cares what Pollock thinks? Or Kurtz for that matter.
Silly question. Who cares what Lucas thinks? Obviously, we care because Pollock was one of the few people who was granted such extensive behind the scenes material about the Star Wars movies as they were being made, and unprecedented access to Lucas himself during this period. And since he wasn't a lackey, presumably he could speak more freely about the material. That doesn't make him infallible either, but he gets a unique perspective. Why care about Kurtz? Because like so many of the other people involved with the original Star Wars movies (in his case, prior to ROTJ), he too has a unique perspective that other people who are just fans or who work for Lucas now, wouldn't have had.
Does Rinzler repeatedly call Lucas a "liar" because he changed his mind about the number of sequels?
Oh, so that's it? Can you point to any instances where Kaminski calls Lucas a "liar" for changing his mind?
The number of sequels is not the issue here, in fact it's a minor one in the list of instances where Lucas said one thing, and did another, then said the opposite of what he originally said. If that's not a lie, tell me what is.
Anyway, aren't literary and film historians are supposed to be obsessed with details, facts, and evidence?
If Lucas has somewhere admitted that in all these cases he simply changed his mind (rather than, people just misquoted him or made something up), that'd sure clear a lot of things up.
No, they're angry at Lucas for telling his stories his way. They think he should have told the stories their way, and when he didn't (and on top of that, decided to stop the series at six films -meaning no one else would make more), they became hysterical. That's why you have fanboys afflicted with Nerd Rage claiming the movies were "almost universally panned". It's also why delusional morons like Kaminski attack Lucas as a "liar" for changing his mind thirty years ago.
So we can't know what Lucas was thinking, but we can know what people who were disappointed with the Prequels were thinking? Interesting.
I don't think most people were upset only about the number of movies (though pointing out that Lucas changed his story a couple of times was confusing, to say the least), so much as him changing the backstory he'd told us existed already. One could quibble over HOW he told the story, but that's not some unique Lucas bashing thing.
If by "his way" you mean changing the backstory and putting in a lot of filler and contradictions, then sure, a lot of fans had a problem with that. But don't misread it as an ego thing, like "Star Wars fans think they're better film directors than GEORGE LUCAS how dare they." That's not it. A person doesn't have to be a better filmmaker in order to notice problems in a movie, or inconsistencies in story arc or characters.
How did it "screw up" the story? It added real depth to what were little more than comic book characters:
They're STILL comic book characters. What "depth" was added? Making Obi-Wan into a bigger liar than before? Making Yoda into a warmonger before he became a pacifist? Making everyone's memory of the past 25 years faulty?
The plot twists ruin some things yes. Before the interactions between Luke and Leia were kind of sweet, even romantic. Now they're just creepy and cringe inducing. Vader was the love-to-hate badass villain, who then had a trace of good still in him and ended up getting redeemed because one person (who had every reason to hate him) had faith in that goodness. So far so good. Now he's a pathetic whiner who turned evil because of his royal politician girlfriend's poor taste in men. That doesn't mean you can't enjoy the original movies anymore, but if you "keep in mind" the prequels while watching these movies, and interpret them through this "Greater mythos" of the six part saga, they are diminished, for a lot of fans.
Some might find the Prequel Anakin more interesting. Many found him annoying. He's the perfect little Life Cereal kid, then suddenly he's a whiny teenage brat who flips out and kills people, then suddenly he's Vader. Instead of copying and pasting stereotypes, maybe Lucas could have told that story, if indeed he wanted that as the centerpiece of this new trilogy as he said so often, he could have told it in a more convincing and natural way, or at least stretched it out a bit.
You'd prefer Alan Dean Foster?
Not sure what he really has to do with this. I never said "fire Lucas" I'm arguing fans have some legitimate objections, and Lucas isn't infallible. I'm also questioning the Kaminski bashing. I think that much should be obvious.
Hope you never read Shakespeare or Greek mythology.
If Shakespeare went back and made sequels or prequels to his plays that screwed up the characters and continuity he'd already established, yeah, we could fault the Bard for that. Listen, no artist is above criticism. I didn't say we couldn't critique Greek or English writers, as if Lucas is some kind of special case.
I would -especially when those "issues" are trivial. Who gives a shit whether Anakin put C3PO together? Or if Yoda met Chewbacca?
The whole Star Wars franchise is trivial, in that sense, but that's not the point. Rather, the question is, since we're viewing this as popular entertainment art, do these things ADD or detract from the story, characters and overall experience and/or message the storyteller was trying to convey?
I loved the Matrix, but I think it had a few stupid things in it. Does that mean I actually hate it (or hate the Wachowski brothers for making it), or shouldn't talk about it, because it's just a dumb sci fi movie? Ditto with Lord of the Rings or whatever else it might be.
What exactly are these "continuity gaffes"?
I know people have come up with SOD explanations for these, but its clear that somebody didn't care much when creating the Prequels to keep it straight. Obviously the fans care, especially fans of the Prequels, so why not, let's have a look...
There are plenty of internal gaffes in the Original Trilogy, and between the Prequels, but I'll just rattle off some from the PT to the OT (ignoring the "Vader killed your father" bit since at least ROTJ tries to address that), which I'm sure you've heard before:
BEN: "For over a thousand generations the Jedi Knights were the guardians of peace and justice in the Old Republic, before the Dark Times, before the Empire."
...
BEN: You will go to the Dagobah system.
LUKE: Dagobah system?
BEN: There you will learn from Yoda, the Jedi Master who instructed
me.
....
BEN: Your father wanted you to have this when you were old enough, but your uncle wouldn't allow it. He was afraid you'd follow old Obi-Wan on a damned fool idealistic crusade like your father did.
....
EMPEROR: [examining Luke's lightsaber] Ah, a Jedi's weapon, much like your father's...
(you mean, much like Obi-Wan's?)
....
YODA: A Jedi uses the Force for knowledge and defense, NEVER for attack.
(see footage of Yoda throwing lightning at Dooku, force blasting Palpatine around the room, force pushing red guards into the wall, hurling his lightsaber into the chest of a clone trooper, etc, never mind what the other senior Jedi do in the Prequels).
Han Solo seems ignorant of the Jedi and the Force who were central to galactic events a mere 20 years ago, despite having claimed to have traversed the galaxy, and traveling with a hero of the Clone Wars who fought alongside Yoda and saved his life.
Boba Fett never lets on that he has any memory of the past either. Why is he taking on a Jedi single handed with a blaster? Why is he working for a Jedi, who was on the same council as the guy who killed his dad?
R2D2 presumably remembers the past including such important details as the fate of Anakin Skywalker, the identity of Luke & Leia's mother, etc, but he never lets on and nobody thinks to ask him. Even when they probe his memory banks for the Death Star plans, nobody notices anything in there that might be useful or at least be curious to look?
What happened to all those battle droids? Seems like those Destroyers were pretty effective against Jedi, and once the Empire wins, why do they need to rely on Stormtroopers? If the clones were so great, why phase them out?
Leia says that Obi-Wan Kenobi served her father in the Clone Wars. No he didn't.
Anakin was described as a cunning warrior, a good friend, and the greatest star pilot in the galaxy. It would have been cool to see that in the movies.
When he first knew him, Obi-Wan was amazed at how strongly the Force was with Anakin, and took it upon himself to train him as a Jedi, thinking he could do as well as Yoda. Actually that was Qui Gon Jinn, the Jedi Master who instructed Obi-Wan.
Why no Force ghost for Qui Gon? Not even a voice or a mention from anyone?
If there are only ever two Sith at a time, why did Palpatine and Vader agree to have Luke turned to the Dark Side to "join us." If the real point was to replace Vader with Luke because he was younger and had fewer robotics, why would the Emperor's first reaction be to have Luke killed? And if Vader saw him as a threat, why would he seek to bring him to the Emperor in the first place instead of killing him?
Luke and Leia were born at the same time and place where their mother died, yet Leia remembers her real mother being "very beautiful, kind, but sad. She died when I was very young" and Luke has "no memory of my mother, I never knew her."
Owen and Beru don't remember the past? They're still living in the same house, despite supposedly hiding Vader's kid. Their family droid built by Anakin (meaning he must have had sentimental value to Shmi), disappeared the same day that Anakin showed up and the kind step-mother was brought back dead. Then the droid practically shows up on their doorstep twenty years later and all that's different is the color of his finish.
How come the Emperor, Obi-Wan and Vader don't flip around... did they forget how?
Why did the Death Star take at least 20 years to build and become operational, when the much larger and more powerful Death Star II could be operational (also in secret) in less than 3 years? It's not as if the technological level of the galaxy changed that much in two decades.
I'd also bring up the shape of the Death Star and the Tantive IV, but only geeks (like Curtis Saxton and the people on Star Wars forums) notice such things.
Anyway, that's not nerd rage or Lucas hate, that's just observation without the fan retcon shellacked on top. Again, I'm not saying he's evil for doing such things, only that surely there were other options, and it would have been nice if he'd been more honest about it.
Just because it's admitted that he made up the Prequels as he went along (as he did with the original trilogy) and it wasn't all based on some grand design from the early 70's ('planned out in advance') doesn't mean they suck. All that sucks is the false notion that this is how they came to be (especially if it's used as a club to bash people who didn't fully appreciate the PT).
Not everyone who disliked the prequels did so because of the continuity gaffes or loose ends, but I think that's just as legitimate a reason as any to have been disappointed with them. Maybe casual viewers won't care as much, but then why would non-fans care about "prequels" to a series they weren't invested in, in the first place? Does one group's opinion matter more than the other? Who were these movies supposed to be for? Maybe that was his mistake, trying to make them appeal to literally everyone... (except fans who had memorized the original movies)