Looking at Ebert's review:
Ebert wrote:
Meteors fall to Earth near the coasts of the world's major cities (and in Ireland's Dingle Bay — that meteor must have strayed off course). They contain alien troops, which march up from the beach with their weapons of war and attack mankind. No reason is given for this, although it's mentioned they may want our water. We meet the members of a Marine platoon, and its battle-scarred Staff Sgt. Nantz (Aaron Eckhart). They're helicoptered into Santa Monica and apparently defeat the aliens. Since all of Los Angeles is frequently seen in flames, it's not entirely clear how the Santa Monica action is crucial, but apparently it is.
It was one area, out of several where they were doing a mass evacuation in preparation for a bombing run. Technically speaking it
wasn't the most crucial area, but that's the whole point of the movie - it's a Slice of Battle, kind of like how the movie
Black Hawk Down focuses on the different groups of guys amidst the chaos of the overall operation.
Ebert wrote:
The aliens are hilarious. Do they give Razzies for special effects? They seem to be animal/machine hybrids with automatic weapons growing from their arms, which must make it hard to change the baby. As the Marines use their combat knives to carve into the aliens, they find one layer after another of icky gelatinous pus-filled goo. Luckily, the other aliens are mostly seen in long shot, where they look like stick figures whipped up by apprentice animators.
Agree to disagree. The "humanoid" thing has been overdone, but the "cyborg" nature of them was actually kind of cool.
Ebert wrote:
Aaron Eckhart stars as Staff Sgt. Nantz, a 20-year veteran who has something shady in his record, which people keep referring to, although screenwriter Christopher Bertolini is too cagey to come right out and describe it. Never mind. Eckhart is perfectly cast, and let the word go forth that he makes one hell of a great-looking action hero. He is also a fine actor, but acting skills are not required from anyone in this movie.
Of course not - it's a spectacle movie. The characters and the plot exist to tie together the scenery and effects, and too complicated characters and plot can actually get in the way. See
Avatar for something similar.
Ebert wrote:
The dialogue consists almost entirely of terse screams: Watch it! Incoming! Move! Look out! Fire! Move! The only characters I remember having four sentences in a row are the anchors on cable news. Although the platoon includes the usual buffet of ethnicities, including Latinos, Asians and a Nigerian surgeon, none of them get much more than a word or two in a row, so as characters, they're all placeholders.
This is a bizarre criticism. Most of the characters are marines in the middle of the battlefield. You're not going to get Shakespearean-level dialogue from that, and why you'd expect it is beyond me.
Ebert wrote:
You gotta see the alien battleships in this movie. They seem to have been assembled by the proverbial tornado blowing through a junkyard. They're aggressively ugly and cluttered, the product of a planet where design has not been discovered and even the Coke bottles must look like pincushions. Although these ships presumably arrived inside the meteors, one in particular exhibits uncanny versatility, by rising up from the Earth before the very eyes of the startled Marines. How, you may ask, did it tunnel for 10 or 12 blocks under Santa Monica to the battle lines at Lincoln Boulevard?
I personally thought the alien craft looked cool, but that's me. Perhaps the command ship was assembled on site?
Ebert wrote:
There is a lazy editing style in action movies these days that assumes nothing need make any sense visually. In a good movie, we understand where the heroes are, and where their opponents are, and why, and when they fire on each other, we understand the geometry. In a mess like this, the frame is filled with flashes and explosions and shots so brief that nothing makes sense. From time to time, there'll be a closeup of Aaron Eckhart screaming something, for example, and on either side of that shot, there will be unrelated shots of incomprehensible action.
I think this has to do with the whole chaotic situation. Again, they're trying to escape a bloodbath, in a ravaged urban area where you might literally go around a corner and run into enemy forces (and that happens a couple of times).
Of course it's going to be a chaotic mess, but even then, I don't think it was that hard to tell who was shooting at whom. Look at the battle on the highway, for example.
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- PeZook
