Swindle1984 wrote:The Black Guy tells Mal that he's going to "the special hell, reserved for child molestors and people who talk in the theater" if he takes sexual advantage of her and does everything he can to be kind to her.
Fixed it for you.
Joss Whedon, Equality Now Tribute Address wrote:Joss Whedon: Thank you. I -- I didn’t know when I came here tonight that was going to happen. No, I knew I’d be here, the part about my mother, and -- and I just want to thank Meryl Streep and -- and everybody for -- for speaking so eloquently about her.
I -- I'm surrounded tonight by people of extraordinary courage, and I know a thing or two about courage myself because I read a book with some courage in it one time. And it sounds really like a lot of work so I’ll just keep writing.
I write. The most courageous thing I've ever done is something called a press junket, which is actually pretty courageous, believe me, because they ask you the same questions over and over and over and over and over and over. I've done as many as 48 in a day, these interviews, and they really -- they don’t come up with the fresh stuff. So, there is one question that I've been asked almost every time I’ve been interviewed. So I thought tonight, briefly, I would share with you one question and a few of my responses. Because, when you're asked something 500 times, you really start to think about the answer. So now, I will become a reporter. It’s going to be amazing, the transformation.
So, Joss, I, a reporter, would like to know, why do you always write these strong women characters?
I think it’s because of my mother. She really was an extraordinary, inspirational, tough, cool, sexy, funny woman and that’s the kind of woman I've always surrounded myself with. It’s my friends, particularly my wife, who is not only smarter and stronger than I am but, occasionally taller too. But, only sometimes, taller. And, I think it -- it all goes back to my mother.
So, why do you write these strong women characters?
Because of my father. My father and my stepfather had a lot to do with it, because they prized whit and resolve in the women they were with above all things. And they were among the rare men who understood that recognizing somebody else’s power does not diminish your own. When I created Buffy, I wanted to create a female icon, but I also wanted to be very careful to surround her with men who not only had no problem with the idea of a female leader, but, were in fact, engaged and even attracted to the idea. That came from my father and stepfather -- the men who created this man, who created those men, if you can follow that.
So, why do you create these strong, how you say, the women -- I’m in Europe now, so, it’s very, it’s international -- these -- I don’t know where though -- these strong women characters?
Well, because these stories give people strength, and I've heard it from a number of people, and I've felt it myself, and its not just women, its men, and I think there is something particular about a female protagonist that allows a man to identify with her that opens up something, that he might -- an aspect of himself -- that he might be unable to express -- hopes and desires -- he might be uncomfortable expressing through a male identification figure. So it really crosses across both and I think it helps people, you know, in -- in that way.
So, why do you create these strong women characters?
Cause they’re hot.
But, these strong women characters…
Why are you even asking me this?! This is like interview number 50 in a row. How is it possible that this is even a question? Honestly, seriously, why are you -- why did you write that down? Why do you -- Why aren’t you asking a hundred other guys why they don’t write strong women characters? I believe that what I am doing should not be remarked upon, let alone honored and there are other people doing it. But, seriously, this question is ridiculous and you just gotta stop.
So, why do you write these strong women characters?
Because equality is not a concept. It’s not something we should be striving for. It’s a necessity. Equality is like gravity, we need it to stand on this earth as men and women, and the misogyny that is in every culture is not a true part of the human condition. It is life out of balance and that imbalance is sucking something out of the soul of every man and women who’s confronted with it. We need equality, kinda now.
So, why do you write these strong female characters?
Because you’re still asking me that question.
Thank you very much for including me tonight.
Thank you all.
Joss Whedon, Whedonesque wrote:May 20 2007
Let's Watch A Girl Get Beaten To Death. This is not my blog, but I don’t have a blog, or a space, and I’d like to be heard for a bit.
Last month seventeen year old Dua Khalil was pulled into a crowd of young men, some of them (the instigators) family, who then kicked and stoned her to death. This is an example of the breath-taking oxymoron “honor killing”, in which a family member (almost always female) is murdered for some religious or ethical transgression. Dua Khalil, who was of the Yazidi faith, had been seen in the company of a Sunni Muslim, and possibly suspected of having married him or converted. That she was torturously murdered for this is not, in fact, a particularly uncommon story. But now you can watch the action up close on CNN. Because as the girl was on the ground trying to get up, her face nothing but red, the few in the group of more than twenty men who were not busy kicking her and hurling stones at her were filming the event with their camera-phones.
There were security officers standing outside the area doing nothing, but the footage of the murder was taken – by more than one phone – from the front row. Which means whoever shot it did so not to record the horror of the event, but to commemorate it. To share it. Because it was cool.
I could start a rant about the level to which we have become desensitized to violence, about the evils of the voyeuristic digital world in which everything is shown and everything is game, but honestly, it’s been said. And I certainly have no jingoistic cultural agenda. I like to think that in America this would be considered unbearably appalling, that Kitty Genovese is still remembered, that we are more evolved. But coincidentally, right before I stumbled on this vid I watched the trailer for “Captivity”.
A few of you may know that I took public exception to the billboard campaign for this film, which showed a concise narrative of the kidnapping, torture and murder of a sexy young woman. I wanted to see if the film was perhaps more substantial (especially given the fact that it was directed by “The Killing Fields” Roland Joffe) than the exploitive ad campaign had painted it. The trailer resembles nothing so much as the CNN story on Dua Khalil. Pretty much all you learn is that Elisha Cuthbert is beautiful, then kidnapped, inventively, repeatedly and horrifically tortured, and that the first thing she screams is “I’m sorry”.
“I’m sorry.”
What is wrong with women?
I mean wrong. Physically. Spiritually. Something unnatural, something destructive, something that needs to be corrected.
How did more than half the people in the world come out incorrectly? I have spent a good part of my life trying to do that math, and I’m no closer to a viable equation. And I have yet to find a culture that doesn’t buy into it. Women’s inferiority – in fact, their malevolence -- is as ingrained in American popular culture as it is anywhere they’re sporting burkhas. I find it in movies, I hear it in the jokes of colleagues, I see it plastered on billboards, and not just the ones for horror movies. Women are weak. Women are manipulative. Women are somehow morally unfinished. (Objectification: another tangential rant avoided.) And the logical extension of this line of thinking is that women are, at the very least, expendable.
I try to think how we got here. The theory I developed in college (shared by many I’m sure) is one I have yet to beat: Womb Envy. Biology: women are generally smaller and weaker than men. But they’re also much tougher. Put simply, men are strong enough to overpower a woman and propagate. Women are tough enough to have and nurture children, with or without the aid of a man. Oh, and they’ve also got the equipment to do that, to be part of the life cycle, to create and bond in a way no man ever really will. Somewhere a long time ago a bunch of men got together and said, “If all we do is hunt and gather, let’s make hunting and gathering the awesomest achievement, and let’s make childbirth kinda weak and shameful.” It’s a rather silly simplification, but I believe on a mass, unconscious level, it’s entirely true. How else to explain the fact that cultures who would die to eradicate each other have always agreed on one issue? That every popular religion puts restrictions on women’s behavior that are practically untenable? That the act of being a free, attractive, self-assertive woman is punishable by torture and death? In the case of this upcoming torture-porn, fictional. In the case of Dua Khalil, mundanely, unthinkably real. And both available for your viewing pleasure.
It’s safe to say that I’ve snapped. That something broke, like one of those robots you can conquer with a logical conundrum. All my life I’ve looked at this faulty equation, trying to understand, and I’ve shorted out. I don’t pretend to be a great guy; I know really really well about objectification, trust me. And I’m not for a second going down the “women are saints” route – that just leads to more stone-throwing (and occasional Joan-burning). I just think there is the staggering imbalance in the world that we all just take for granted. If we were all told the sky was evil, or at best a little embarrassing, and we ought not look at it, wouldn’t that tradition eventually fall apart? (I was going to use ‘trees’ as my example, but at the rate we’re getting rid of them I’m pretty sure we really do think they’re evil. See how all rants become one?)
Now those of you who frequent this site are, in my wildly biased opinion, fairly evolved. You may hear nothing new here. You may be way ahead of me. But I can’t contain my despair, for Dua Khalil, for humanity, for the world we’re shaping. Those of you who have followed the link I set up know that it doesn’t bring you to a video of a murder. It brings you to a place of sanity, of people who have never stopped asking the question of what is wrong with this world and have set about trying to change the answer. Because it’s no longer enough to be a decent person. It’s no longer enough to shake our heads and make concerned grimaces at the news. True enlightened activism is the only thing that can save humanity from itself. I’ve always had a bent towards apocalyptic fiction, and I’m beginning to understand why. I look and I see the earth in flames. Her face was nothing but red.
All I ask is this: Do something. Try something. Speaking out, showing up, writing a letter, a check, a strongly worded e-mail. Pick a cause – there are few unworthy ones. And nudge yourself past the brink of tacit support to action. Once a month, once a year, or just once. If you can’t think of what to do, there is this handy link. Even just learning enough about a subject so you can speak against an opponent eloquently makes you an unusual personage. Start with that. Any one of you would have cried out, would have intervened, had you been in that crowd in Bashiqa. Well thanks to digital technology, you’re all in it now.
I have never had any faith in humanity. But I will give us props on this: if we can evolve, invent and theorize our way into the technologically magical, culturally diverse and artistically magnificent race we are and still get people to buy the idiotic idea that half of us are inferior, we’re pretty amazing. Let our next sleight of hand be to make that myth disappear.
The sky isn’t evil. Try looking up.
(from here)
Yeah, you know that Joss Whedon. He's a woman hating son of a bitch.
The mistress of the house, rather than being strong and unwilling to roll over and die for someone else's convenience (evidenced by her taking the whore house from its previous manager and refusing to run away and abandon what she'd worked for), will be portrayed as a vicious attack against feminists by Joss Whedon because she slept with Mal.
As for phallic imagery, if I could kill something at 200 yards with my penis then I wouldn't need a gun, now would I.